What begins as a refreshingly unromanticized miniature of rural 19th-century Britain slips at the end into standard...
A cameo brooch of a novel from British playwright and novelist Leyshon (Devotion, 2008, etc.), under 200 pages, set in 19th-century England and narrated in the quixotic voice (including no capital letters and odd verb emphasis, among other contrivances) of a barely literate farm girl.
Fourteen-year-old Mary’s entire world consists of the farm where she lives with her parents, three older sisters and beloved invalid grandfather with whom she shares a caustic sense of humor. Despite a malformed leg that causes her to limp, she toils as hard as her three older sisters under the despotic eye of her father, who despairs/resents that he has no boys to help him. One Easter sunrise, the sisters share their secret wishes: devout Beatrice to meet the Lord, Hope to live in comfort and Violet to be a teacher in a school, although she cannot read. Mary, usually never one to mince words, skips her turn. She has no wishes formed in her head, no vista she dreams of exploring. Her world may be harsh, but she has no desire to venture further. She resists when her father sends her away to work in the vicarage to help the vicar Mr. Graham’s ailing wife. It doesn’t matter that the gentle invalid takes an immediate fancy to Mary or that life is much easier. She misses the farm and does not see her new, more comfortable situation as an opportunity or adventure. No fool, she refuses to flirt with Ralph, the vicar’s caddish adolescent son, who has already seduced Violet and pays scant attention to his adoring mother. After Ralph leaves for Oxford, Mrs. Graham weakens and dies. Mr. Graham, who has begun to teach Mary to read, asks her to continue in his employ. But the price of literacy turns out to be too high for Mary. The collision of sexual desire with the British class system leads to violent tragedy.
What begins as a refreshingly unromanticized miniature of rural 19th-century Britain slips at the end into standard melodrama.Pub Date: Dec. 26, 2012
ISBN: 978-0-06-219207-3
Page Count: 176
Publisher: Ecco/HarperCollins
Review Posted Online: Sept. 24, 2012
Kirkus Reviews Issue: Oct. 15, 2012
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
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