A disquieting, edgy, and engrossing embrace of the rewards of sobriety.
Alcoholism and mental illness roil a Wisconsin clan in this memoir about childhood abuse, family dysfunction, and the rocky road to recovery.
Branson begins her book with a dramatic event. She was a nurse engaged in a casual sexual encounter with “Dr. Joe” when her boyfriend, Michael, unexpectedly arrived at her apartment. Violence ensued, and the police were called. By the end of the chapter, readers learn the author and Michael reconciled and eventually married. Now, back to the beginning: Branson, her parents’ second child, was born in Eau Claire, Wisconsin, in July 1959. Her father was the superintendent of schools. Her young, sociable parents threw many parties at their house, with attendees usually being faculty members. One teacher, Jeffry, left Branson, still a young child, with a permanent psychological scar. According to the author, he assaulted her sexually in her bedroom during one of the parties. The incident was never discussed in the family, although Branson began drawing sexually explicit pictures (for which she was reprimanded). She acerbically describes the life lessons she learned from her family: “If someone behaves inappropriately, pretend it never happened; Bury emotions; do not attempt to communicate them; Be sneaky—it pays off; No matter what happens, act like everything is fine; When in emotional pain, drink alcohol.” Later, the author added the occasional line of cocaine. Genetically predisposed to alcoholism, she had an additional challenge: “I was born with a significant brain disorder. The mesolimbic pathway in my brain was not formed correctly at birth. This is the area of my brain that has to do with pleasure and mood regulation.” Branson does not make clear how or when she was diagnosed, but she personified this disorder by giving it a name: “Glinda.” Her articulate memoir is the disturbing tale of how she served Glinda by behaving recklessly and how she was sometimes able to keep her at bay. Readers will likely breathe a sigh of relief when the author recounts that she finally acknowledged her alcoholism (in 2003) and took new responsibility for her own life, including the mistakes and victories.
A disquieting, edgy, and engrossing embrace of the rewards of sobriety.Pub Date: Aug. 15, 2017
ISBN: 978-1-5255-0866-0
Page Count: 228
Publisher: FriesenPress
Review Posted Online: April 5, 2021
Review Program: Kirkus Indie
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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