A sometimes-slow thriller best suited for fans already familiar with the series.
A mysterious murder serves as the backdrop for Cover’s third installment in The Sessions University thriller series.
Following the events of the previous series installments, Thomas Simpson, who two years ago was “a nobody associate professor of communications at Sessions, dealing only with [his] courses to ever more ill-prepared and clueless undergraduates” is now the executive director of the philanthropic Mark Berger Foundation. With him is his best friend Zoltan Vastag, a Hungarian who is also a leading cancer researcher at the medical center, and Mark Berger, an alumnus billionaire with an amusing Boston accent (“I like that idea. Might even be a nice naming opportunity in honah of my parents”) who is now chair of the board of trustees at Sessions. After a dangerous few years involving covered-up murders, international espionage, and being under the terrifying watch of U.S. Special Operations, the three men are ready for their lives to return to normal. But just as things seem to be settling down, the acting president of the university is murdered while making his way home on campus. The mysterious killer? An untraceable drone with an equally untraceable 3D-printed gun. Now it’s up to Thomas, Zoltan, and Mark to figure out who’s behind the murder, all while trying to keep themselves safe in the process. Though marketed as a standalone novel, new readers might be confused by the expansive backstory needed to clarify the plot. In the same vein, a big cast of side characters can be hard to keep track of for those unfamiliar with the series. While Cover’s use of a killer drone as a looming terror over the campus is fun and unique, the more thrilling aspects of the novel are overshadowed by an excess of dialogue-heavy scenes that occasionally make the pacing feel sluggish.
A sometimes-slow thriller best suited for fans already familiar with the series.Pub Date: May 7, 2024
ISBN: N/A
Page Count: 246
Publisher: Epigraph Publishing
Review Posted Online: July 23, 2024
Review Program: Kirkus Indie
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
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