A usually reliable and best-selling author (The General's Daughter, 1992, etc.) comes a-cropper with this tale of star-crossed lovers who finally meet again after a quarter century and then must deal with her psychotic husband, the sheriff and de facto dictator of their Ohio hometown. Such a story requires that the individuals involved seem likely to have held onto their youthful romance into middle age. When one, Keith Landry, is an exintelligence operative with the National Security Council, a man competent and experienced enough to have the president of the United States request his return to government service in the White House, such emotional gridlock seems pretty far-fetched. And when the other, Annie Prentis Baxter, has married the town psychopath and remained an apparently willing victim of her own stupid choice for more than 20 years, one must wonder what exactly it is about this woman that has kept Landry captivated. Readers are left to hope that DeMille's reputation for accomplished storytelling and the ability to create memorable characters will save the day. No such luck. This is pure (and unbelievable) melodrama with a stock cast: farmers who are almost actively unsophisticated (Landry's elderly aunt is absolutely baffled by a bottle of red wine), a kindly and understanding old preacher, the town drunk who is a Vietnam veteran and one of the sheriff's prime victims, and so forth. (There is a disdain for Middle America that ranges from implicit to overt throughout these pages.) Even those who fall outside the Spencerville paradigm , Landry's former high school pal and his wife, are clichÇs of another sort: unreconstructed '60s peaceniks: They turn out to have no real role to play in the story. Only Landry's ex-boss from Washington is even vaguely interesting (and his role is essentially that of deus ex machina). Some tension in the final pages, but too little, too late. Very disappointing. (Book-of-the-Month Club main selection; author tour)
Pub Date: Oct. 12, 1994
ISBN: 0-446-51505-1
Page Count: 464
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
So fierce, ambitious, and far-reaching that it makes most other mysteries seem like so many petit fours.
V.I. Warshawski’s search for a homeless woman with a fraught past leads her deep into a series of political conspiracies that stretch over generations and continents.
Bernadine Fouchard, V.I.’s goddaughter, thinks that Lydia Zamir, whose songs about strong women she reveres, was shot dead along with her lover, Hector Palurdo, at a Kansas fundraiser four years ago. She’s only half right. The 17 victims ranch hand Arthur Morton shot in Horsethief Canyon include Palurdo but not Zamir, whom V.I. and Bernie happen to hear banging out haunting tunes on a toy piano under a Chicago railroad viaduct. But they glimpse her only momentarily before the traumatized musician flees and eventually disappears. Soon afterward, Bernie finds herself in trouble when the young man she’s been dating—Leo Prinz, a summer employee of SLICK, the South Lakefront Improvement Council—is murdered and she becomes a person of considerable interest to Sgt. Lenora Pizzello. The search for Lydia Zamir morphs into an investigation of her relationship with Palurdo, an activist against the Pinochet regime in Chile long before he was shot apparently at random. In the meantime, the disappearance of Simon Lensky, one of SLICK’s elected managers, throws a spotlight on the organization’s controversial proposal for a new landfill on the South Side. Everyone in the city seems to have strong opinions about the proposal, from Gifford Taggett, superintendent of the Chicago Park District, to Nobel Prize–winning economist Larry Nieland, to an inveterate protestor known only as Coop, who kicks off the story by vanishing after parking his dog with V.I., to her consternation and the ire of her neighbors and her own two dogs. As usual, Paretsky (Shell Game, 2018, etc.) is less interested in identifying whodunit than in uncovering a monstrous web of evil, and this web is one of her densest and most finely woven ever.
So fierce, ambitious, and far-reaching that it makes most other mysteries seem like so many petit fours.Pub Date: April 21, 2020
ISBN: 978-0-06-243592-7
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 26, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Jones hits his stride with a smart story of social commentary—it’s scary good.
A violent tale of vengeance, justice, and generational trauma from a prolific horror tinkerer.
Jones (Mapping the Interior, 2017, etc.) delivers a thought-provoking trip to the edge of your seat in this rural creature feature. Four young Blackfeet men ignore the hunting boundaries of their community and fire into an elk herd on land reserved for the elders, but one elk proves unnaturally hard to kill. Years later, they’re forced to answer for their act of selfish violence, setting into motion a supernatural hunt in which predator becomes prey. The plot meanders ever forward, stopping and starting as it vies for primacy with the characters. As Jones makes his bloody way through the character rotation, he indulges in reflections on rural life, community expectations, and family, among other things, but never gets lost in the weeds. From the beer bottles decorating fences to free-throw practice on the old concrete pad in the cold, the Rez and its silent beauty establishes itself as an important character in the story, and one that each of the other characters must reckon with before the end. Horror’s genre conventions are more than satisfied, often in ways that surprise or subvert expectations; fans will grin when they come across clever nods and homages sprinkled throughout that never feel heavy-handed or too cute. While the minimalist prose propels the narrative, it also serves to establish an eerie tone of detachment that mirrors the characters’ own questions about what it means to live distinctly Native lives in today's world—a world that obscures the line between what is traditional and what is contemporary. Form and content strike a delicate balance in this work, allowing Jones to revel in his distinctive voice, which has always lingered, quiet and disturbing, in the stark backcountry of the Rez.
Jones hits his stride with a smart story of social commentary—it’s scary good.Pub Date: July 14, 2020
ISBN: 978-1-9821-3645-1
Page Count: 320
Publisher: Saga/Simon & Schuster
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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