George’s meandering but engaging story gets bite from its sly observations of the emerging black middle class, and color...

ONE WOMAN SHORT

Breezy, cleverly assured coming-of-age tale about a savvy, unmarried Los Angeles buppie who explores his bed-hopping past.

The third novel from New York journalist and screenwriter George (Seduced, 1996; Urban Romance, 1994) begins as a mildly satirical comedy of manners salted with up-to-the-minute slang and a refreshingly different take on the Tinseltown landscape. Rodney Hampton, a self-employed, 33-year-old Hollywood publicist, wonders why, after dating 133 women in 10 years (he not only counted, but kept track of addresses and telephone numbers), the closest he's come to the altar is being best man at the recent marriage of his friend Tim. His widowed mother, slowly losing her mind in a nursing home, and his hairdresser sister, raising three children as a single mother, vividly demonstrate how tough it is to be alone: Hampton longs for something more than a few months of great sex. When a recording company puts him on retainer for three months, guaranteeing a steady paycheck and the possibility of a six-figure salary if he's hired full-time, Hampton picks three past girlfriends as potential future wives. While flacking a multiethnic restaurant, an indie film, and the next great rap singer from Bakersfield, he looks up chaste, Bible-quoting Amy, decadent nightclub owner Belinda, and night-shift nurse Sabena, so magnificently gorgeous it seems a crime she can't realize her ambition to be a dancer. Hampton learns that he can't go home again (his childhood house is occupied by Hispanics) and that, as cads go, he actually wasn't so bad.

George’s meandering but engaging story gets bite from its sly observations of the emerging black middle class, and color from the delightfully discordant supporting characters: Where else but L.A. can a blustering male porn star meet his match in a plucky Kinko's photocopier?

Pub Date: June 1, 2000

ISBN: 0-684-86461-4

Page Count: 265

Publisher: Scribner

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2000

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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