by Nemo West ‧ RELEASE DATE: Aug. 20, 2019
Engrossing, imperfect characters in a riveting intergalactic tale.
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In this sci-fi debut, two teenagers suspect something diabolical lies behind the mysteriously locked supply closet in their school’s subbasement.
Dex Carpenter knows he has a low social standing at Saint McIntyre’s Academy on the colonized planet Gamma Ceti. This is primarily due to Travis Bannon, the much-respected star athlete who’s bullied him for years. So Dex doesn’t have the confidence to strike up a conversation with beguiling Tabitha Tempest, who transferred from an Earth school not long ago. His first one-on-one encounter with Tabitha is happenstance: Dex gets sick and is late to Morning Mass, which he then decides to skip altogether. It turns out Tabitha has been missing Mass every day, and she convinces Dex to make it a daily routine as well. The two bond and soon develop romantic feelings. But Tabitha believes the academy has secrets, starting with the principal having off-world tech, which the colony’s Pleiades Catholic society expressly forbids. She further claims that students return from Mass in some kind of trance lasting a couple of hours. Dex notices this, too, and Tabitha suggests Saint McIntyre’s is up to something sinister, like brainwashing. Assuming that the Masses have compromised students for years (and that adult colonists are brainwashed former pupils), Tabitha and Dex need hard evidence to take to Federal agents at the colonial outpost. They set their sights on the academy’s subbasement supply closet, which has a crypto-circuit lock that the principal’s special key likely opens. What the two find inside that room is much worse—and more dangerous—than they anticipated. West’s multigenre novel successfully blends sci-fi, mystery, and teen drama. For example, the tech, though minimal, is apparent. Tabitha’s Earth device, a Digit, “can do pretty much anything,” such as scanning for other tech in the school. The mystery, meanwhile, is sound: Tabitha and Dex’s eventual discovery in the subbasement leads to more questions than answers, which only deepens the conspiracy. But the author’s most laudable achievement is the deconstruction of teen-drama clichés, most notably involving the characters. The socially awkward protagonist, for one, earns sympathy as a bully’s victim. But Tabitha’s lament of drawing unwanted attention based solely on her looks is critical of most boys, including Dex, who initially pines for her for the same reason. And in a short but effective scene, Travis’ father, Nick, physically assaults his son, signaling lifelong abuse that is ostensibly the genesis of the student’s bullying. West’s simplified narrative concentrates on Tabitha and Dex, with much of the story set at Saint McIntyre’s and few appearances from adults. This makes the expedited romance convincing. There’s plenty of shared time for Tabitha to admire Dex’s confidence and later have her doubts when that assurance seemingly dissipates. The prose is often playful, as in this sci-fi-inspired interaction: “Soon a potent charge rose between them, like the rumble of booster engines priming for blast-off.” Unquestionable peril, unveiled villains, and a chase sequence constitute the final act, and though the book has a definite and memorable ending, there’s series potential here.
Engrossing, imperfect characters in a riveting intergalactic tale.Pub Date: Aug. 20, 2019
ISBN: 978-0-9892839-6-0
Page Count: 238
Publisher: Kenneth E. Floro III
Review Posted Online: July 12, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by Graham Swift ‧ RELEASE DATE: April 5, 1996
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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