The prose is rich in platitudes, especially when the underimagined characters are making speeches to each other. It takes...
Historically minded Gingrich and Forstchen (Days of Infamy, 2008, etc.) fix their eyes on the Revolutionary War and the pivotal victory that saved America.
Dec. 25, 1776. General George Washington, at the head of a ragtag, half-starved, oft-beaten army, is about to give his fledgling nation an unforgettable Christmas present. The Hessian mercenaries hired by King George are quartered in tiny Trenton, snug and smug, wallowing complacently in the limited pleasures of the season. Outside, sleet and bone-chilling wind relentlessly punish an exposed Continental Army. Wandering among the soldiers and sharing their misery is Thomas Paine, whose pen has been a goad to British sensibilities and a spur to American unrest. Now, however, Tom’s under pressure. A clamor has risen on every side for a successor to his Common Sense, which sold 100,000 copies and fired up rebellious hearts throughout the colonies. Even Washington importunes him: “You must write something! Anything!” But the great pamphleteer suffers writer’s block until he comes upon a campfire surrounded by a handful of hard-used militia men, including the fictitious 15-year-old Jonathan van Dorn. Suddenly a quarrel develops. Enraged at what he senses is a looming defection, young van Dorn cries out, “You were nothing but a patriot when the sun was shining but now that winter is here? My God…how you try my soul.” And the rest, as they say, is history. Writer’s block vanished, Tom gets his theme, Washington gets his victory and the overconfident Hessians get their comeuppance.
The prose is rich in platitudes, especially when the underimagined characters are making speeches to each other. It takes more than vividly rendered battle scenes to make compelling historical fiction.Pub Date: Nov. 1, 2009
ISBN: 978-0-312-59106-9
Page Count: 368
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2009
Collins invokes both Voltaire and Defoe here, and she forges an unlikely but sadly harmonic connection with both these...
There’s betrayal, depravity, pseudoscience, forbidden love, drug addiction, white supremacy, and, oh yes, a murder mystery with tightly wound knots to unravel.
The citizenry of 1826 London has worked itself into near apoplexy over the sensational trial of “The Mulatta Murderess,” aka Frances Langton, a Jamaican servant accused of brutally stabbing her white employers to death. Though caught on the night of the murders covered with blood, Frances cannot remember what happened and thus cannot say whether or not she is guilty. “For God’s sake, give me something I can save your neck with,” her lawyer pleads. And so Frannie, who, despite having been born into slavery, became adept at reading and writing, tries to find her own way to the truth the only way she can: By writing her life’s story from its beginnings on a West Indian plantation called Paradise whose master, John Langton, is a vicious sadist. He uses Frannie for sex and as a “scribe” taking notes on his hideous experiments into racial difference using skulls, blood, and even skin samples. After a fire destroys much of his plantation, Langton takes Frannie to London and makes her a gift to George Benham, an urbane scientist engaged in the same dubious race-science inquiries. Frannie’s hurt over her abandonment is soon dispelled by her fascination with Benham’s French-born wife, Marguerite, a captivating beauty whose lively wit and literary erudition barely conceal despondency that finds relief in bottles of laudanum. A bond forms between mistress and servant that swells and tightens into love, leading to a tempest of misunderstanding, deceit, jealousy, and, ultimately, death. Collins’ debut novel administers a bold and vibrant jolt to both the gothic and historical fiction genres, embracing racial and sexual subtexts that couldn’t or wouldn’t have been imagined by its long-ago practitioners. Her evocations of early-19th-century London and antebellum Jamaica are vivid and, at times, sensuously graphic. Most of all, she has created in her title character a complex, melancholy, and trenchantly observant protagonist; too conflicted in motivation, perhaps, to be considered a heroine but as dynamic and compelling as any character conceived by a Brontë sister.
Collins invokes both Voltaire and Defoe here, and she forges an unlikely but sadly harmonic connection with both these enlightenment heroes in her gripping, groundbreaking debut.Pub Date: May 21, 2019
ISBN: 978-0-06-285189-5
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
McBride presents an interesting experiment in point of view here, as all of Brown’s activities are filtered through the eyes...
In McBride’s version of events, John Brown’s body doesn’t lie a-mouldering in the grave—he’s alive and vigorous and fanatical and doomed, so one could say his soul does indeed go marching on.
The unlikely narrator of the events leading up to Brown’s quixotic raid at Harpers Ferry is Henry Shackleford, aka Little Onion, whose father is killed when Brown comes in to liberate some slaves. Brown whisks the 12-year-old away thinking he’s a girl, and Onion keeps up the disguise for the next few years. This fluidity of gender identity allows Onion a certain leeway in his life, for example, he gets taken in by Pie, a beautiful prostitute, where he witnesses some activity almost more unseemly than a 12-year-old can stand. The interlude with Pie occurs during a two-year period where Brown disappears from Onion’s life, but they’re reunited a few months before the debacle at Harpers Ferry. In that time, Brown visits Frederick Douglass, and, in the most implausible scene in the novel, Douglass gets tight and chases after the nubile Onion. The stakes are raised as Brown approaches October 1859, for even Onion recognizes the futility of the raid, where Brown expects hundreds of slaves to rise in revolt and gets only a handful. Onion notes that Brown’s fanaticism increasingly approaches “lunacy” as the time for the raid gets closer, and Brown never loses that obsessive glint in his eye that tells him he’s doing the Lord’s work. At the end, Onion reasserts his identity as a male and escapes just before Brown’s execution.
McBride presents an interesting experiment in point of view here, as all of Brown’s activities are filtered through the eyes of a young adolescent who wavers between innocence and cynicism.Pub Date: Aug. 20, 2013
ISBN: 978-1-59448-634-0
Page Count: 432
Publisher: Riverhead
Review Posted Online: May 12, 2013
Kirkus Reviews Issue: June 1, 2013
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