A captivating drama in pursuit of dramatic truth.
A teenager’s indiscretion becomes a family tragedy and threatens to become a national scandal in this Pakistan-set drama.
Gul is the 15-year-old son of poor people who work for Sardar Timur, a wealthy and powerful man in Hayatabad, Pakistan. He’s suddenly pulled into a brief sexual encounter with Timur’s daughter, Farah, on whom he has had a longtime crush, and the two are discovered in an unlucky moment that has extraordinary reverberations. Furious at what he feels is his mortification, Timur calls for a Panchayat, an “informal justice system” that empowers a council of locals to mete out determinations of guilt and innocence. Author Sakhia astutely captures the nature of these easily corruptible proceedings, which are officially illegal but largely ignored by the police. For Gul and his family, the stakes couldn’t be higher; he could be castrated or killed, and his relations could also suffer gruesome fates. Meanwhile, French journalist Arlette Baudis, who has accused the prime minister of Pakistan of sexual harassment, attempts to make the Panchayat fiasco into an issue of international interest—not only to highlight the nation’s corruption, but also to challenge its sexist view of women. Over the course of this novel, the author presents a tale that is sinewy and rich, deftly depicting a traditional system of justice as a thinly disguised one of oppression. Sakhia’s sparse, straightforward prose is quietly moving, as when Baudis, in a fit of exasperated anger about the prime minister’s popular election, rages, “How stupid are you people? Where the damn hell is the moral compass?” Sakhia also manages, with great authorial restraint, to refrain from sacrificing the artistic elements of the story to a sententious lesson.
A captivating drama in pursuit of dramatic truth.Pub Date: Sept. 21, 2021
ISBN: 978-1-73545-350-7
Page Count: 383
Publisher: Acrobat Books
Review Posted Online: Dec. 31, 2020
Kirkus Reviews Issue: Feb. 15, 2021
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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