by Nic Stone ‧ RELEASE DATE: Sept. 29, 2020
A powerful, raw must-read told through the lens of a Black boy ensnared by our broken criminal justice system.
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New York Times Bestseller
The deck is stacked against incarcerated 16-year-old Quan as he faces up to 20 years in prison in this sequel to the New York Times bestseller Dear Martin (2017).
With his father in prison, Quan works hard to excel in school, avoid his mother’s abusive boyfriend, and keep his siblings from going hungry. Bright but burdened, Quan eventually begins committing petty crimes and lands in a youth detention center. Through Quan, Stone brilliantly portrays the voices of incarcerated Black youth, their trauma, hopelessness, and awareness of how fraught and fragile their futures are due to racial disparities in the criminal justice system. Quan sees a 12-year-old Black boy locked up for a year for merely associating with gang members while a 17-year-old White boy who stabbed his father eight times serves only 60 days. But Quan isn’t left to fight for his freedom alone; his best friend, Justyce, makes sure of that. Quan’s story is eloquently told in part through letters he writes to Justyce, who is attending college at Yale. Fans of the previous volume and new readers alike won’t want to put down this unforgettable volume until they learn Quan’s fate.
A powerful, raw must-read told through the lens of a Black boy ensnared by our broken criminal justice system. (author’s note) (Fiction. 12-18)Pub Date: Sept. 29, 2020
ISBN: 978-1-984829-66-5
Page Count: 288
Publisher: Crown
Review Posted Online: July 14, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Dhonielle Clayton , Tiffany D. Jackson , Nic Stone , Angie Thomas , Ashley Woodfolk & Nicola Yoon
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by Lynn Painter ‧ RELEASE DATE: May 4, 2021
Exactly what the title promises.
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New York Times Bestseller
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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