by Nicholas Dawidoff ‧ RELEASE DATE: July 11, 1994
Magazine writer Dawidoff (Sports Illustrated, New Yorker, New Republic) reduces one of baseball's most colorful characters mostly to monochrome. What better subject for a biography than Moe Berg, a man reputed to be the sport's greatest intellectual, who iced the cake by retiring to become an espionage agent in the nation's service? Sadly, Dawidoff has taken a mythic character and exposed him as an eccentric crank whose oversized feet were made almost entirely of clay. And the author has done so in the worst fashion possible: with pedantry rather than heart. A closing ``Note on Sources'' lists the hundreds of people interviewed and archives researched; it is a fitting coup de grÉce to a book filled with the minutest details of who Berg mooched a dinner and a hotel room from in 1959, or who he regaled with exaggerated tales of wartime heroics. Dawidoff has accumulated a vast body of information in a remarkable job of research, especially considering that Berg, who died of a heart attack at age 70 in 1972, deliberately cloaked the details of his life in mystery. What Dawidoff has failed to do is distill it into a story calculated to hold a reader's interest. Rather, he presents an almost legalistic mass of evidence to prove that Berg followed up a career (1923-39) as a pseudointellectual, third- string catcher by becoming a mediocre WW II spy, and then spent the last 25 years of his life as an unemployed vagabond, living off his charm and his wit and his vast store of friends. The only mystery left at the end of the book is whether to feel pity for Berg as a tragic, unfulfilled genius or irritation with him as a boor who gets more attention than he deserved. The reader is left knowing immeasurably more about Moe Berg, and caring immeasurably less. (16 pages b&w photos)
Pub Date: July 11, 1994
ISBN: 0-679-41566-1
Page Count: 464
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1994
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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