A short, stirring story with a unique premise.
A man looks back at his life and loves as he awaits his death in Day’s novel.
A cartoonist named Martin, nicknamed Firecracker, recalls, “my daddy burst into flames when I was six years old.” Now an adult and married with children in Edwardsville, Illinois,Firecracker knows in his bones that “the fire is coming” and that he will one day spontaneously combust, just like his father and grandfather before him. After he heads into the Night Cap, a local dive bar, the story goes back and forth in time, focusing on Firecracker’s memories of childhood and the events of the present day in equal measure. Firecracker particularly examines love—his addiction to it and the many ways in which he has experienced it through his lifetime. He looks back on his childhood friendship with a boy named Stephen; his relationship with his wife, Emily; and a girl whose name he cannot remember but whom he knows he loved fully. In his childhood, Firecracker saw Stephen’s mother dead in her driveway; he has seen and communicated with an incarnation of Death ever since. It is in these passages with Death that the author’s descriptive prose truly shines: “Darkness and light became as a curtain, which rippled and pulled apart to reveal a human shape whose eyes shone like dying stars and whose clothes were fashioned from shadow and fog.” Firecracker’s moments with Death convey both the fear and love he feels for the specter throughout the story—Death is a nightmare-fueling figure earlier on but becomes a constant, steadying presence in Firecracker’s life. Day’s story is at times lyrical, blending prose with poetry to convey Firecracker’s more expressive, dream-like ruminations as he nears his end: “You are one of them, one of us, an infinite being / The dream never ends / None of this is real…I could finally see time for what it was. An infinite circle.” Day’s tale is a quick read, creative and addictively readable.
A short, stirring story with a unique premise.Pub Date: Dec. 21, 2018
ISBN: 9781947654792
Page Count: 98
Publisher: Bizarro Pulp Press
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: April 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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