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RUNNING IN PLACE

SCENES FROM THE SOUTH OF FRANCE

A disappointing attempt to wrest significance from a lifetime of visits to Provence; by a veteran novelist (Sherbrookes, Stillness, etc.). Delbanco begins promisingly in the caves of the Dordogne, as his tendency to heavily underscore ironies is balanced by a rare modesty of style. But in the episodes that follow—Delbanco at 18, setting forth with a letter of credit and a sports car to deliver; the author as an adult, picking up a Volvo sedan and driving down from Sweden, as a young writer living with his London relatives, then delivering an Alfa Romeo with a folksinger girlfriend—it becomes clear that these are vignettes, too frail for the burdens they carry. Partially, the problem is Delbanco's overripe style. Even when he deprecates his youthful smugness, born of privilege, he somehow ends up celebrating it. A paragraph of delicate description is followed by one full of unleavened facts ("These are the thirty-two winds of Provence. . ."). Sentimental dialogues with his daughters alternate with the kind of lush language and Victorian cadences indulged in by some art historians. The episodic technique prevents our ever getting to know the main characters, aristocratic Lilo and Alex, and the peasants Guillaume and Felicity. Briefly, the book threatens to make a centerpiece of Delbanco's proximity to and friendship with James Baldwin. But their encounters are short and circumspect, adding nothing to what is known of the late, self-exiled writer. In the end, a frustrating book, good only in fragments. Delbanco often notes that Provence is a harsh land; a little of that harshness in his narrative would have done much to help this memoir keep its balance.

Pub Date: July 22, 1989

ISBN: 0802138098

Page Count: 243

Publisher: Atlantic Monthly

Review Posted Online: Oct. 14, 2011

Kirkus Reviews Issue: June 15, 1989

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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