Both a purr-fect pet story and a vibrant celebration of cultural identity.
The tale of a cat and her boy.
Loaf—so named because she resembles a loaf of bread when curled up—loves hiding, napping in the sun, and chasing rubber bands thrown by her boy, a young Indigenous child. Loaf adores the boy, who shows off his grass-dancing moves, with his long, braided hair and the ribbons on his regalia spinning as he twirls. One day, the boy and his family leave. Loaf knows something’s going on, so she escapes through a window (“Because I am a genius, it was not hard”) and follows the boy’s scent to a powwow. She hides, watching the jingle dress and fancy shawl dancers—until she sees her boy. After he finishes his performance, she leaps out, surprising him. DeShaw (Bois Forte Ojibwe and Eagle Clan) uses repetition to captures a cat’s uniquely self-possessed perspective; feline lovers will smile with recognition as Loaf assures them that sometimes her boy “thinks it’s time for sleep, but I know it is really time for play.” Audibert, who’s of Wolastoqiyik and French heritage, directs readers’ attention to dancers in the powwow scenes; in her heavily stylized, thick-lined illustrations, the performers stand out with pops of color and swirls of movement. Delicate floral Ojibwe details are incorporated throughout.
Both a purr-fect pet story and a vibrant celebration of cultural identity. (Picture book. 4-8)Pub Date: May 28, 2024
ISBN: 9780593461853
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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