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UP THE CREEK

From the Life in the Wild series

Storytimers and newly independent readers alike will enjoy this trio’s continuing adventures.

The bear, the moose and the beaver might be friends, but they can’t agree on anything!

One nice, sunny day, the three friends decide to go for a canoe trip down the river. All of them want to steer—and that tips the canoe, and they all end up in the water. A game of “Eenie-Meenie-Minie-Moe” puts the moose in the stern, but they all insist on paddling on the same side of the canoe. They’re so stubborn that they just circle for a long time. It’s only when they get tired that they start switching sides and move forward. When they come to a beaver dam, no one can agree on how to get over the blockage. Once over the dam (the bear’s idea to portage wins out), the trip goes smoothly…until the bickering starts. They’re yelling so loudly that they don’t hear the waterfall, and that strands them on a rock in the middle of the river. They argue well into the night. It’s not until the next morning that it dawns on the friends that they’ll never get to shore unless they work together. Canadian author/illustrator Oldland’s fourth Life in the Wild picture book features all three of his blocky cartoon woodland characters in a fine tale of friendship and cooperation. Gentle humor, both visual and textual, make this an easy and not preachy lesson.

Storytimers and newly independent readers alike will enjoy this trio’s continuing adventures. (Picture book. 3-7)

Pub Date: Sept. 1, 2013

ISBN: 978-1-894786-32-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: June 25, 2013

Kirkus Reviews Issue: July 15, 2013

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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