by Nicholas Ostler ‧ RELEASE DATE: Feb. 23, 2016
Impressively vast in scope and content, Ostler’s work is most accessible to fellow specialists but should intrigue dedicated...
The effects of religion on language are well-known; what about the effects of language on religion?
It is toward this question that Ostler (The Last Lingua Franca: English Until the Return of Babel, 2010, etc.) turns his formidable capabilities as a linguist and historian. To answer this question, the author, the chairman of the Foundation for Endangered Languages, looks at what he deems the three great missionary religions of world history: Buddhism, Christianity, and, to a lesser extent, Islam. In the cases of Buddhism and Christianity, in encounters with new linguistic communities, the religions themselves changed in various ways to accommodate the new formats of communication. Even if core beliefs remained the same, geographic and ethnic differences would occur, spurred on by language. Islam was different in that it demanded the authority of Arabic, and so even in new linguistic communities, the Quran remained the same text; new converts were made to adopt Arabic, at least for the purposes of religion. Ostler provides an interesting discussion of Buddhism’s movement into China, demonstrating how the Chinese significantly added to the religion’s tradition and canon. He also follows the epic story of Christianity’s migration through nations speaking Greek, then Latin, then the tongues of Northern Europe, of Eastern Europe, and eventually the languages of South America and elsewhere. He notes that everywhere Christianity went, new versions of it sprang up or new linguistic traditions were added. The author concludes that, indeed, language has had deep influence on the world’s religions. However, “the languages of the ancient world have died or changed beyond recognition, but many of the revealed faiths of the Axial Age [800-200 B.C.E.] are still with us. Some languages indeed…owe most of their continued existence to the religions they serve.” The author’s brilliance is on display throughout the book, and it makes for an intriguing, if at times bewildering, read.
Impressively vast in scope and content, Ostler’s work is most accessible to fellow specialists but should intrigue dedicated readers as well.Pub Date: Feb. 23, 2016
ISBN: 978-1-62040-515-4
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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by Stephen Batchelor ‧ RELEASE DATE: Feb. 18, 2020
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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by R. Crumb ; illustrated by R. Crumb ‧ RELEASE DATE: Oct. 19, 2009
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
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