A heartening tale of finding one’s voice—and summoning the courage to raise it.
A young girl makes herself heard on Mexican Independence Day.
Gloria awakens, excited about the celebrations ahead. On September 16, 1810, Father Miguel Hidalgo y Costilla shouted a grito (a combination of a laugh and a yell), spurring the Mexican War for Independence against Spain. Every year since, members of her family have shouted a grito to mark Mexican Independence Day. But this year, Gloria’s father is sick; he’s lost his voice and can’t shout the grito. Gloria makes Papa some tea, but the village doesn’t have time to wait for him to get better. Gloria has another idea: She’ll do it herself. Despite the mayor’s reservations (“You are a child!” “But she’s a girl!”), Papa supports Gloria, and that’s all that matters. Gloria decides to practice. It isn’t easy, and her first attempts attract strange looks from the villagers. The baker offers her a tortilla with honey and some affirming words, but it isn’t until Gloria has a heart-to-heart with Papa that she learns the true meaning of the grito—and summons the strength to let loose “the loudest, most joyful grito she could.” Relying on pastel colors and dramatic use of perspective, Martínez’s illustrations adeptly chronicle Gloria’s trajectory from uncertainty to satisfying triumph. The youngster exudes moxie at each step of the way; this is a joyful celebration of Mexican culture and independence and of family, community, and self.
A heartening tale of finding one’s voice—and summoning the courage to raise it. (Picture book. 4-8)Pub Date: Aug. 1, 2024
ISBN: 9781534112889
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Some readers may like this retooling a lot. / But new insights into the tale it has not.
A dog’s-eye view of Dr. Seuss’ beloved Yuletide tale.
“On the day before Christmas, / In Who-ville Town Square, / Every Who down in Who-ville / Was gathering there.” Here to give his side of the story via a third-person rhyming narrative is Max, a dog familiar to readers of the original book and/or viewers of the animated TV special based on Seuss’ book. It’s a grand idea: Who wouldn’t want a fresh perspective from Max, the Grinch’s long-suffering but loyal companion? The trouble is that aside from trying to alert little Cindy-Lou Who to the Grinch’s advances, Max doesn’t do anything to hinder the Grinch from robbing the town blind, so this version doesn’t lend any real insight to the story. For some readers, this may raise the question: Why not just stick with the original? While this version’s rhymes aren’t as inventive as the good Dr.’s, Heim does a solid job imitating his style; fans of the Grinch TV special will hear Boris Karloff plummily reciting the text, especially wry lines like “At house after house, while the clocks kept tock-ticking, / Old Max watched the Grinch and his sneaky St. Nick-ing.” Ruiz’s art is a fittingly faithful homage. His palette splits the difference between the 1957 book’s visual sobriety and the 1966 television production’s optical intensity.
Some readers may like this retooling a lot. / But new insights into the tale it has not. (Picture book. 5-9)Pub Date: Sept. 1, 2026
ISBN: 9798217228072
Page Count: 48
Publisher: Random House
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
