The high production values of Bantock's latest—with its thick paper, wide margins, and inviting typeface—can't compensate for a weak narrative and often generic-looking illustrations. Bantock mistakes stilted diction for philosophic seriousness in this fable about an artist's discovery of himself. Presented as a journal of an eight-day visit to Spain, the slim story records the trippy musings of Armon Hurt, a New England bookbinder who must settle the estate of his recently deceased grandfather, an artist who retired to his native Ronda after years of exile in Switzerland. Disappointed to discover that his grandfather gave away all his work, Armon focuses on his legacy—a small box with a tiny painting and clues to a ``surrealist game.'' Six questions lead him to various further clues: an 8mm film of his grandparents, some marked passages from Garcia Lorca, bits and scraps of paper from the grandfather's studio. At the same time, Armon begins a drawing of his own, recalling from childhood all his grandfather's prescriptions about art. Bantock re-creates Armon's work-in-progress, from its origin as a realist sketch of an ancient ruin to its final incarnation as a collage triptych. Rather than leave his grandson with mere paintings, Rafael Hurtago (the family's name before Armon's father shortened it on arrival in America) managed to inspire his grandson to create for himself. That's the point of the game—for Armon to express himself, to connect with the ``duende'' (or spirit) of the Andalusian earth. Once Armon abandons his ``tightly held sense of order and composition,'' he discovers his true inheritance, a ``desire to paint.'' He also restores his full family name. Armon's final artwork, meant to justify his long personal journey, is actually less impressive than his first drawing—in keeping with Bantock's also ponderous style with its New Ageish idioms that ultimately recall Chopra more than Lorca. ($115,000 ad/promo; TV satellite tour)
Pub Date: Oct. 29, 1997
ISBN: 0-00-225176-0
Page Count: 112
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
BOOK REVIEW
BOOK REVIEW
A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).
The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....
Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.
Pub Date: Jan. 28, 1976
ISBN: 0385121679
Page Count: 453
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1976
PERSPECTIVES
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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