by Nick Catalano ‧ RELEASE DATE: March 1, 2000
A worthy project diminished by Catalano’s impressionistic approach and special pleading.
Clifford Brown's premature death deprived jazz of one of its greatest trumpeters—a loss that seems even more poignant some
forty years later. Born in 1930, in Wilmington, Delaware, Brown began playing in school bands and informal dance groups in his early teens. Encouraged by his parents and teachers, he practiced constantly and soon became a local star. An important influence was Fats Navarro, a brilliant bebop trumpeter whose life was cut short by heroin use. Taking warning from Navarro's fate, Brown became a model for clean living among his generation of jazzmen, and was noted for his amiable disposition. His playing blossomed as he gigged and jammed with top players in the jazz clubs of Philadelphia. After a series of record dates as sideman, and a European tour with Lionel Hampton's band, he returned to the US in 1954 and formed a seminal quintet with drummer Max Roach. In the two years before Brown and pianist Richie Powell died in a car crash on the Pennsylvania Turnpike, that group made a strong impact on jazz listeners. Unfortunately, Catalano (Performing Arts/Pace Univ.), assuming his readers are intimately familiar with Brown's music, relies primarily on verbal descriptions of his solos, providing only two passages of written music. A few of his other judgments are even more questionable. He takes several gratuitous potshots at Miles Davis, overlooking the possibility that even had Brown survived, he might never have rivaled the later success of the charismatic Davis. Nor did Brown's death send jazz into a tailspin, as Catalano implies; the music remained strong for nearly a decade before rock drove it from popular awareness. Still, the author’s enthusiastic and well-researched summary of Brown's career should send jazz buffs back to their record collections for serious listening.
A worthy project diminished by Catalano’s impressionistic approach and special pleading.Pub Date: March 1, 2000
ISBN: 0-19-510083-2
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
Share your opinion of this book
More by Nick Catalano
BOOK REVIEW
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Share your opinion of this book
More by E.T.A. Hoffmann
BOOK REVIEW
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
Share your opinion of this book
More by Ludwig Bemelmans
BOOK REVIEW
developed by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
by Ludwig Bemelmans ; illustrated by Steven Salerno
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.