Mindbender. Wild Thing. Ninja. Thunderbolt. The names of roller coasters are as evocative as Cook’s debut work, a look at the psychology and steel behind America’s most thrilling rides. A lively history of the roller coaster includes the ice slides of France in the 1800s, the first gravity railway on Coney Island that reached a whopping speed of six miles per hour, and the rise and fall in popularity of “woodies,” or wooden roller coasters. In a chapter on the physics of roller coasters, Cook cites comprehensible examples (such as the angle of a pencil to a desktop) to clearly explain such concepts as the science of motion and gravity, friction and drag, slope, and g force. Attractive inserts bring in the designers and engineers of the coaster, who allow riders to “feel like they’re going to die”; in these days of computerized engineering, Etch-A-Sketch-like scribbles on a computer screen are transformed into impressive assemblages of thousands of pieces of steel tracks and hills that span acres. One especially eye-catching chart outlines what happens inside the body during a coaster ride. In a final chapter, Cook gives “airtime” to coasters past and present. The colorful, captioned photographs—the swoosh of riders in motion, heads hanging upside down from an inside loop, or aerial views of a tiny car on wheels about to take the first drop—as well as the rest of the book—are more than worth the ride. (glossary, bibliography, index) (Nonfiction. 6-11)
Pub Date: April 8, 1998
ISBN: 1-57505-071-4
Page Count: 56
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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