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MORE BATHS LESS TALKING

Name: MORE BATHS LESS TALKING
Author: Nick Hornby
ISBN: 978-1-938073-05-2

NOTES FROM THE READING LIFE OF A CELEBRATED AUTHOR LOCKED IN BATTLE WITH FOOTBALL, FAMILY, AND TIME ITSELF

by Nick Hornby ‧ RELEASE DATE: Aug. 14, 2012

Hornby is an entertainingly unpretentious critic; any reader would come away with a handful of book recommendations they’d...

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The rock-obsessed novelist confesses his idiosyncratic reading habits in this fourth collection of columns written for the Believer.

Critics tend to write reviews as if in a bubble, rarely acknowledging the ways the world can intrude on their reading and comprehension. The charm of Hornby’s (Juliet, Naked, 2009, etc.) “Stuff I’ve Been Reading” column is his candor about the messy intersection of living and reading. One column opens with his two young children demanding his attention as he struggles to finish Nicholson Baker’s novel The Anthologist; in another, he points out how a trusted recommendation led him to Don Carpenter’s obscure 1966 noir, Hard Rain Falling. That intimate perspective makes this book read more like a set of personal essays than book reviews, but he still delivers some funny and clear-eyed insights on writing. He demolishes the sexism of John Updike’s Marry Me by calling out the preposterousness of its dialogue, and writing about Colm Tóibín’s novel Brooklyn gives him the opportunity to thoughtfully consider the pleasures of rereading and the distinctions between screenwriting and writing novels. Hornby’s tastes often match those of the Believer audience’s, which prefers contemporary fiction and hipper nonfiction, but he roves widely, devouring Muriel Spark and Charles Dickens along with David Kynaston’s dense history Austerity Britain and a biography of Preston Sturges. Hornby’s reading life is pleasantly experimental, and though he softens his disappointments for the no-snark-allowed Believer, he’s at his most entertaining when he falls in love by accident with a book, as with Sarah Bakewell’s Montaigne biography, How to Live.

Hornby is an entertainingly unpretentious critic; any reader would come away with a handful of book recommendations they’d be eager to check out.

Pub Date: Aug. 14, 2012

ISBN: 978-1-938073-05-2

Page Count: 200

Publisher: McSweeney’s

Review Posted Online: May 30, 2012

Kirkus Reviews Issue: June 15, 2012

Categories:

GENERAL NONFICTION

- BOOK REVIEW
DICKENS AND PRINCE
by Nick Hornby

- BOOK REVIEW
JUST LIKE YOU
by Nick Hornby

- BOOK REVIEW
STATE OF THE UNION
by Nick Hornby

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.