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WHERE THE DEER AND THE ANTELOPE PLAY

THE PASTORAL OBSERVATIONS OF ONE IGNORANT AMERICAN WHO LOVES TO WALK OUTSIDE

A hoot and a half for fans of sometimes-hapless wandering.

The genially sardonic actor and comedian recounts occasionally misbegotten, always laugh-inducing travels.

Offerman opens his latest book, at times reminiscent of the work of British traveler Redmond O’Hanlon, with a gimlet eye on billboards that proclaim the planks of fundamentalist Christianity. “I don’t feel the need,” he writes, “to erect a sign in my yard proclaiming ‘BEEF TALLOW IS THE FUCKING BOSS.’ ” Offerman entertainingly chronicles his travels in the Montana Rockies with two perhaps unlikely companions, novelist George Saunders and musician Jeff Tweedy. Well-known as a fine woodworker, Offerman contrasts his love of fancy gear, a love shared by Tweedy, with Saunders’ asceticism: “It was his water bottle that made me realize how his whole gear vibe was screaming ‘unassuming pragmatism.’ ” Saunders got in a little less trouble than the other two as they hiked along the sheer cliffs of Glacier National Park, a place that prompts the author to meditate on the history and fate of public lands: “We three middle-aged white guys, ever aware of our privilege, had taken pretty full advantage of the recreation available in the glorious acreage that some other white guys had set aside for just that purpose.” After a side journey among craftspeople and farmers in the English Midlands, where he gamely tried to build a stone wall in the old way, he took off on a Covid-evading RV road trip with wife and fellow actor Megan Mullally, a journey fraught with encounters with the denizens of the recent film Nomadland. “When it comes to navigating RV parks and their gatekeepers,” he notes, “there is a substantial culture of unwritten laws of the jungle.” Offerman’s forays into social criticism are sometimes sharp but never elitist even as he professes disdain for the Jan. 6 crowd and its “batshit mouthpiece,” the pillow king.

A hoot and a half for fans of sometimes-hapless wandering.

Pub Date: Oct. 12, 2021

ISBN: 978-1-101-98469-7

Page Count: 320

Publisher: Dutton

Review Posted Online: Aug. 17, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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