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BAD TIMING

A little over the line.

The brutal consequences of white-collar crime in the wrong hands.

A hit man drives north from London, savoring the delights that await him when he finds his victims. Perhaps raping the wife in front of her husband before killing them both? But his pleasure is cut short when he arrives to discover John and Isobel York already dead and the piles of money midlevel crook Brendan Quant gave them to launder nowhere to be found. Now Quant is dead, too, and his widow, Marcie, has partnered with his old bodyguard, Darren McCabe. McCabe needs to find the missing money fast because some of the loot Brendan placed with the Yorks actually belonged to crime boss Dunster Cosmo, and Dunster wants his dosh. Meanwhile, Henry Christie, mourning his lost love Alison Holt, wants to put police work behind him and spend his days helping Alison’s daughter, Ginny, manage her pub, The Tawny Owl. But as his fling with police detective Diane Daniels turns more serious, Henry joins the chase for the Yorks’ killer as a paid consultant, and soon the good guys are chasing the bad guys all over the Midlands, with both sides shooting at everything in sight. Oldham makes some pointed distinctions between the sadistic thrill-killing of the bad guys and the violence the police deem necessary to subdue them. Christie tears up, for example, when he and his team think they’ve located the loot and find instead a container truck full of dead refugees. But Oldham’s detailed description of the cops imagining the last anguished gasps of the victims as they realize that their container’s ventilation system has failed and they’re going to suffocate makes you wonder: Isn’t sadism the real point here?

A little over the line.  

Pub Date: Dec. 1, 2020

ISBN: 978-0-7278-8960-7

Page Count: 224

Publisher: Severn House

Review Posted Online: Sept. 1, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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MURDER TAKES A VACATION

Another gem from Lippman, with a heroine who elevates being ordinary to an art form.

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An ordinary woman finds extraordinary adventures on a river cruise on the Seine.

Muriel Blossom acknowledges that she’s a “no-frills” person, a trait that served her well when doing surveillance for Baltimore PI Tess Monaghan. When she gets an unexpected upgrade on her British Airways flight to Paris, she finds herself not only in business class, but on the other side of the looking glass. Allan Turner, a handsome stranger, befriends her in the Chesapeake Lounge, which her upgrade allows her to access. She misses her connection at Heathrow because of the weather, so he invites her to share his luxurious suite in a London hotel, paid for, he insists, by his firm. Then he sends her off on the Eurostar train to reach Paris via the Chunnel in time for her ship’s departure. Once in Paris, she meets another stranger, younger but equally attentive. Danny Johnson takes her to a friend’s atelier in the Marais where the plus-sized Muriel can find the fashionable clothing she deserves. A mysterious man in a bellman uniform knocks on her hotel-room door and invites her to leave her luggage in the hallway so it can be transferred overnight to her ship, but of course she realizes that’s nonsense. She also receives the news that Allan died in a fall from his balcony the night after she left London. When Danny turns up on her cruise, she knows something’s off, but she can’t put together the pieces. That’s because Lippman is unrivaled in her ability to lay out clues in a way that makes them seem not only mysterious, but downright surreal. Only at the end does everything fit together so naturally that it all seems blazingly obvious. Like Muriel, who’s patient and sensible to the end, you’ll just have to wait.

Another gem from Lippman, with a heroine who elevates being ordinary to an art form.

Pub Date: June 17, 2025

ISBN: 9780062998101

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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