A bold, tautly written work about the struggle to express oneself freely.
A free-spirited storyteller refuses to be the pawn of his king in Oliveri’s debut fantasy novel.
In the kingdom of Idaza, Mikalla is a shadow puppeteer, also known as the Conjurer. Against the giant canvas of Mount Chuxat, he creates fresh stories weekly, starring gods of myth. His inspiring work unites the common people of Idaza, showing them that the deities are imperfect, just like them. Idaza is a prosperous and stable realm within the Mesoas Valley. Deep down, however, King Oro feels like an unfulfilled ruler compared with his heroic ancestors, who conquered neighboring lands and built Idaza’s wealth. Oro and Mikalla have been friends since childhood, and so the Conjurer is stunned when his king suddenly asks him to demonize the Chihopo people in his next story. If Mikalla can paint the neighboring kingdom as evil to the commoners, Oro reasons, it will make it easier for them to go to war over contested farmland. Yet Mikalla sees that many people, including children, will suffer if he obeys Oro. When the Conjurer tries to find support from his family, his wife, Jani, proves to be distracted and selfish. Mikalla must figure out a way to deliver a performance that doesn’t compromise his ideals. Scheming behind the throne is Secretary Kitan, whose ultimate plan will transform the entire Mesoas Valley. Oliveri delivers a finely tuned study of art’s role in society. Well-developed characters drive the plot, each sketched by economical prose; Jani, for example, has “status and security” that can’t “shield her from the intense self-hatred she’d learned from a childhood of emotional neglect.” The nature of Mikalla’s artistic expression is effectively explained as a “wild, animalistic compulsion, an urgent need to have his insights and emotions fly from his heart.” The machinations of Kitan and Mikalla’s countermaneuvers give events the pacing of a thriller. The violence isn’t excessive, but moments of torture and bloodletting are unforgettable. In the final pages, Oliveri ensnares readers with an inescapable tragedy, and the difficult conclusion leaves room for energetic discussion.
A bold, tautly written work about the struggle to express oneself freely.Pub Date: Dec. 8, 2021
ISBN: 978-1-956932-05-8
Page Count: 194
Publisher: Write My Wrongs LLC
Review Posted Online: Feb. 10, 2022
Kirkus Reviews Issue: March 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Who is victorious? The author and the readers.
The conclusion to the Villains trilogy asks, In a world where there are no heroes, what does victory really mean?
Schwab’s world is one where violent near-death experiences can engender ExtraOrdinaries, people who come back to life with a new superpowered ability, but lacking empathy, patience, and a variety of other, gentler qualities. In this installment, Victor Vale is becoming increasingly desperate; ever since Sydney Clarke used her power to bring him back from the dead, control over his own ability to cause and dampen pain has been slipping. Sydney herself is chafing against her life on the run with Victor’s protective ex-cellmate, Mitch Turner, and struggling with missing both Victor and her dead sister, Serena, whom she might not be able to resurrect—and definitely shouldn’t. Meanwhile, a psychiatrist, Dr. Gabriel Gray, discovers the existence of ExtraOrdinary people and seeks to harness their power for himself with tragic consequences for himself and many other people. Because the narrative skips around in time, it becomes clear fairly early that a final conflict is looming at EON, a high-tech facility where ExtraOrdinaries are imprisoned and experimented upon. This series has really lived up to its title; while antiheroes and villains have been popular protagonists for quite some time, not every writer is willing to lean into the darkness as hard as Schwab does. Some of her characters were psychopaths even before their near-death traumas, which means they didn’t have much moral fiber to begin with. And even the people who are basically good do a lot of bad and often foolish things when faced with a crisis…and there are a lot of crises. The strength of this series lies in Schwab’s ExtraOrdinary power to make you care for many of these incredibly rash, ethically dubious—some verging on irredeemable—characters anyway. As a result, the story rises above the usual grimdark cynical slog; instead, this is a gripping and nuanced saga with an ending that feels both inevitable and well earned.
Who is victorious? The author and the readers.Pub Date: Oct. 6, 2026
ISBN: 9781250192233
Page Count: 592
Publisher: Tor
Review Posted Online: Sept. 25, 2026
Kirkus Reviews Issue: Nov. 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
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