Engaging but not without flaw.
A boy without a shadow falls for a 20th-century ghost girl in this supernatural graphic novel.
White, diminutive Greg has been angry and sullen ever since his mom, mayor of their small town, died three years ago. The current mayor’s son is a dark-skinned jock, a “professional buffoon and arrogant jerk extraordinaire,” and Greg is convinced that his dad’s new girlfriend (visually coded as Asian-American) is trying to take the place of his mom. But it’s the summer before 10th grade, and his white, curvy best friend, Layla, is ready for them to get up to some shenanigans at the local rumored-to-be-haunted house. No one has ever seen a ghost there—until shadowless Greg arrives and comes face to face with ghostly Eleanor, a white teenager who’s been dead for decades. They become instantly smitten. But someone—or something—is starting to wreak havoc on the town, and everyone believes it’s Greg. It’s up to Greg, Layla, and Eleanor to put a stop to it. While all questions are ultimately answered, many aspects of the worldbuilding go underexplored, leaving both the character development and the internal logic of the world feeling rushed. Espinosa’s grayscale art (tone is by Eckman-Lawn) has a storyboard softness that is reassuring and appealing. Both the intrusive narrator and adolescent characters are prone to disability insults (“Lame”; “Are you…blind?”), and the haunting gleefully and consciously piles up stale horror tropes, including an “Indian burial ground” (complete with totem pole; Greg points out in frustration that “Indians didn’t even have totem poles in the northeast!”).
Engaging but not without flaw. (Graphic supernatural fiction. 10-17)Pub Date: Oct. 10, 2017
ISBN: 978-1-59643-877-4
Page Count: 224
Publisher: First Second
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Reminiscent of fairy tales and full of enchantment.
In this sequel to the 2022 series opener, Long Live the Pumpkin Queen by Shea Ernshaw, Sally must mend time itself.
It’s been a year since Sally married Jack Skellington and discovered her Dream Town origins, and she’s spread thin between performing her duties as Pumpkin Queen and managing relations among all the holiday realms. Arguments and misunderstandings have arisen between visitors and residents of each realm, so Sally proposes hosting cultural exhibitions to help smooth over their interactions, starting with one in Halloween Town. To help with the extra work, Sally takes on an apprentice—fellow rag doll Luna, a teen with dreams of going on adventures instead of following in the family business of writing bedtime stories. Chaos ensues during the festivities when a swapped potion ingredient opens a portal that sucks Sally and Luna into Time Town. Even worse, Halloween Town’s magical clock has been destroyed by a shadowy enemy, setting the realm’s timeline to the distant past. To get back to the Halloween Town of her present, Sally embarks on an adventure with Luna and their new friend, a dragon called Scorch. Sally, Luna, and Scorch make a fantastic trio, with Sally’s maturity and bravery contrasting with Luna’s wide-eyed youthfulness and Scorch’s desire to become a hero. Despite a slow start and stereotypical elements in some of the towns, the engaging lore and tense, thrilling race to fix time will engage readers.
Reminiscent of fairy tales and full of enchantment. (Fantasy. 12-16)Pub Date: July 8, 2025
ISBN: 9781368089302
Page Count: 368
Publisher: Disney/Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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