A powerful conservation message.
Is the male white rhinoceros at the zoo the only one of his kind left?
The text is sparse and thoughtful. The artwork combines sophisticated collage—including words from many languages inscribed on buildings and animals—with a distinctive drawing style that breathes life equally into humans and animals, automobiles and elevated trains, gritty urban settings and vividly flowered meadows. The first double-page spread has a beige-and-gray palette that sets a somber mood. A young person of color—who reappears later—is gazing toward the protagonist’s large, foregrounded head. A gray city lies behind this figure. The only words: “I am the last.” The next spread continues the bleakness with an aerial view of the zoo and its surrounds. The text continues with the rhino’s sad musing. The pages that follow are a bright and joyous contrast, as readers see the rhinoceros recalling his native land. No one could fail to be moved by baby rhinos cavorting in flamingo-filled waters or by the protagonist gazing adoringly at his mama, who smells “beautiful.” The mother’s death from a horn poacher’s bullet is subtly portrayed but obvious enough to elicit questions from young readers. More “lasts” at the zoo create further pathos. The rhino’s eventual, final relocation will dispel some of the tale’s grimness for little ones; older readers will feel less optimistic when they read the endnotes about a real rhino named Sudan. (This book was reviewed digitally with 9.25-by-18.5-inch double-page spreads viewed at 74% of actual size.)
A powerful conservation message. (note on art) (Picture book. 5-9)Pub Date: Sept. 1, 2020
ISBN: 978-1-910328-64-4
Page Count: 32
Publisher: Tiny Owl
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Adventure, humor, and smart, likable characters make for a winning chapter book.
Ada Twist’s incessant stream of questions leads to answers that help solve a neighborhood crisis.
Ada conducts experiments at home to answer questions such as, why does Mom’s coffee smell stronger than Dad’s coffee? Each answer leads to another question, another hypothesis, and another experiment, which is how she goes from collecting data on backyard birds for a citizen-science project to helping Rosie Revere figure out how to get her uncle Ned down from the sky, where his helium-filled “perilous pants” are keeping him afloat. The Questioneers—Rosie the engineer, Iggy Peck the architect, and Ada the scientist—work together, asking questions like scientists. Armed with knowledge (of molecules and air pressure, force and temperature) but more importantly, with curiosity, Ada works out a solution. Ada is a recognizable, three-dimensional girl in this delightfully silly chapter book: tirelessly curious and determined yet easily excited and still learning to express herself. If science concepts aren’t completely clear in this romp, relationships and emotions certainly are. In playful full- and half-page illustrations that break up the text, Ada is black with Afro-textured hair; Rosie and Iggy are white. A closing section on citizen science may inspire readers to get involved in science too; on the other hand, the “Ode to a Gas!” may just puzzle them. Other backmatter topics include the importance of bird study and the threat palm-oil use poses to rainforests.
Adventure, humor, and smart, likable characters make for a winning chapter book. (Fiction. 6-9)Pub Date: April 16, 2019
ISBN: 978-1-4197-3422-9
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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