An absolutely beautiful story that penetrates the heart and seeds hope when there is little of it.
This gracefully written poem conveys the extensive amount of suffering that war brings.
A girl with brown skin and black hair who lives in a city enjoys her day, spending the morning with her family, then learning about volcanoes and drawing a bird at school. Then war suddenly erupts: “I can’t say the words that tell you / about the blackened hole / that had been my home. / All I can say is this: / War took everything. / War took everyone.” The child runs, walks in the cold, rides on packed trucks and in a boat that nearly sinks, but the war follows her: “It was underneath my skin…. / It was in the way that people didn’t smile, and turned away.” She finds a school where children are learning about volcanoes and drawing birds, but when she goes inside, the teacher says there is no chair for her. In an unexpected turn of events, the children of the school redraw the smile on the girl’s face and push back the war, one step at a time. Cobb’s muted, deceptively childlike illustrations match the poem’s understatement. An early spread of the gray, smoky chaos that destroys the girl’s world is echoed in a late spread as she huddles alone in an unwelcoming place. Both an afterword by the author and the illustrations suggest that the protagonist may be from Syria or Iraq and sought refuge in the U.K., but the story is, alas, more broadly universal.
An absolutely beautiful story that penetrates the heart and seeds hope when there is little of it. (Picture book. 6-12)Pub Date: Sept. 4, 2018
ISBN: 978-1-5362-0173-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 22, 2018
Kirkus Reviews Issue: June 15, 2018
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Quirky and imaginative—postmodern storytelling at its best.
Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.
Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.
Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-5344-3341-0
Page Count: 272
Publisher: Atheneum
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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