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THE DAY WAR CAME

An absolutely beautiful story that penetrates the heart and seeds hope when there is little of it.

This gracefully written poem conveys the extensive amount of suffering that war brings.

A girl with brown skin and black hair who lives in a city enjoys her day, spending the morning with her family, then learning about volcanoes and drawing a bird at school. Then war suddenly erupts: “I can’t say the words that tell you / about the blackened hole / that had been my home. / All I can say is this: / War took everything. / War took everyone.” The child runs, walks in the cold, rides on packed trucks and in a boat that nearly sinks, but the war follows her: “It was underneath my skin…. / It was in the way that people didn’t smile, and turned away.” She finds a school where children are learning about volcanoes and drawing birds, but when she goes inside, the teacher says there is no chair for her. In an unexpected turn of events, the children of the school redraw the smile on the girl’s face and push back the war, one step at a time. Cobb’s muted, deceptively childlike illustrations match the poem’s understatement. An early spread of the gray, smoky chaos that destroys the girl’s world is echoed in a late spread as she huddles alone in an unwelcoming place. Both an afterword by the author and the illustrations suggest that the protagonist may be from Syria or Iraq and sought refuge in the U.K., but the story is, alas, more broadly universal.

An absolutely beautiful story that penetrates the heart and seeds hope when there is little of it. (Picture book. 6-12)

Pub Date: Sept. 4, 2018

ISBN: 978-1-5362-0173-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 22, 2018

Kirkus Reviews Issue: June 15, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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