White girl problems.
A down-on-her-luck NYC girl gets a taste of the limelight when she becomes personal assistant to a rock-star relative.
McLaughlin and Kraus (Nanny Returns, 2009, etc.) offer up another fable about a plucky 20-something beleaguered by an unstable employer. Their latest entry feels about seven years out of step with the times, as the crazy in the house this time is a Britney-esque pop star whose life is leaning dangerously towards the toxic. Our everygirl narrator is Logan Wade, who was offered the personal assistant gig by her cousin Kelsey when the young singer was first starting out. Now, Kelsey has become one of the world’s biggest celebrities, while Logan is living a half-life in the city with an arduous job, a selfish sort-of-boyfriend and a growing sense of dissatisfaction with her life. “Suddenly the life I’ve spent the last decade building is losing relevance, the veneer I’ve run frantic circles to secure showing its cracks like a puzzle held over a flashlight,” Logan says, in a characteristically overly wordy and featherweight observation from a generally impassive character. Even when the authors shoehorn Logan into the most glamorous and outrageous situations—and there are many, ranging from video shoots in exotic locales to flu-ridden blockbuster concerts to steamy Italian liaisons—she never seems to join the circus, just comments endlessly on it. Kelsey is a far more interesting collection of self-indulgences, poor choices and disconnects from reality, but her character is so fully drawn from real life that her troubles seem a bit clichéd. There are the paparazzi photos, her ill-advised romance with a sleazy backup dancer, a host of mood disorders and the helicopter parents who want to micromanage their daughter’s career, not to mention her life. The story shudders from plot point to plot point. Harmless, yes, but McLaughlin and Kraus flow better when their stories are more diabolical and less diatribe.
White girl problems.Pub Date: June 12, 2012
ISBN: 978-1-4391-8818-7
Page Count: 336
Publisher: Atria
Review Posted Online: May 19, 2012
Kirkus Reviews Issue: June 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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