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THE BOY TOY

A faltering story rescued by an engaging premise.

A 37-year-old Indian Australian woman's assumptions about love and relationships are shaken by a White stuntman 10 years her junior.

Physical therapist Samira Broderick moved from Melbourne to Los Angeles in the aftermath of a painful divorce, needing to get away from her Indian mother’s relentless matchmaking. Almost a decade later, she has returned, leaving her bustling LA practice to work for her cousin’s new health and fitness enterprise. Samira resents her mother's involvement in her failed arranged marriage and dislikes her mother's interference in her currently floundering love life, but she still hopes her return can help heal old wounds. With a plate so full, Samira is not looking for anything permanent when she has a one-night stand with Rory Radcliffe. Rory moves on from partners quickly because he feels the need to hide his stutter—a need that's also forced the talented stuntman to avoid roles requiring him to talk. But when he gets an opportunity to audition as the host of Renegades, a reality show touted as Australia’s “next big thing,” Rory decides to find a dialect coach and make an attempt. Though they had a wonderful night together, Rory decides to forget about Samira and focus on the audition—but his plans are derailed when he discovers that she's his coach. Marsh turns an insightful and sensitive lens on the role of the body in matters of self-image and love. But Samira and Rory are so wrapped up in the caprices of their own hearts, minds, and bodies that there's little room for them to truly discover each other. Marsh tries to sketch a portrait of Indian culture by including references to various food preparations, but she misses the opportunity to comment on the complexities of community ties in the Indian diaspora, where judgmental attitudes can co-exist with support and empathy.

A faltering story rescued by an engaging premise.

Pub Date: Nov. 17, 2020

ISBN: 978-0-593198-62-9

Page Count: 352

Publisher: Berkley

Review Posted Online: Oct. 13, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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BRIDE

Sink your teeth into this delightful paranormal romance with a modern twist.

A vampire and an Alpha werewolf enter into a marriage of convenience in order to ease tensions between their species.

As the only daughter of a prominent Vampyre councilman, Misery Lark has grown accustomed to playing the role that’s demanded of her—and now, her father is ordering her to be part of yet another truce agreement. In an effort to maintain goodwill between the Vampyres and their longtime nemeses the Weres, Misery must wed their Alpha, Lowe Moreland. But it turns out that Misery has her own motivations for agreeing to this political marriage, including finding answers about what happened to her best friend, who went missing after setting up a meeting in Were territory. Isolated from her kind and surrounded on all sides by the enemy after the wedding, Misery refuses to let herself forget about her real mission. It doesn’t matter that Lowe is one of the most confounding and intense people she’s ever met, or that the connection building between them doesn’t feel like one born entirely of convenience. There’s also the possibility that Lowe may already have a Were mate of his own, but in spite of their biological differences, they may turn out to be the missing piece in each other’s lives. While this is Hazelwood’s first paranormal romance, and the book does lean on some hallmark tropes of the genre, the contemporary setting lends itself to the author’s trademark humor and makes the political plot more easily digestible. Misery and Lowe’s slow-burn romance is appealing enough that readers will readily devour every moment between them and hunger to return to them whenever the story diverts from their scenes together.

Sink your teeth into this delightful paranormal romance with a modern twist.

Pub Date: Feb. 6, 2024

ISBN: 9780593550403

Page Count: 416

Publisher: Berkley

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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