A gracefully written, thoroughly researched story of an agile and articulate survivor.
The author of A Rage for Rock-Gardening: The Story of Reginald Farrer (2004) returns with a nuanced look at the poetry and life of Thomas Wyatt (1503–1542).
Along with just about everyone else in the court of Henry VIII, Wyatt, who brought the Petrarchan sonnet to England, had to master the intricacies of the survival dance in that era—or kneel before the chopping block. (Wyatt somehow survived—barely—his king’s bloody capriciousness.) Shulman charts the choreography of Wyatt’s career during the time of Henry and later. She notes that his reputation as a poet had fallen considerably, but she, among others, is effecting a restoration. She sketches the rise of the Tudors and then rehearses the biographies of the wives of Henry VIII, noting along the way the roles that Wyatt played—or didn’t play—on the marital merry-go-round. Throughout, the author closely examines Wyatt’s various love poems, noting that he wrote not for publication but for circulation among friends and associates. She acknowledges one severe problem: Wyatt’s poems have no dates, so inference is the historian’s closest companion. But Shulman, confronting her daunting task with aplomb and sensitivity, shows us how Wyatt’s lyrics, subtle and layered, can refer to a deer or a woman, a hunt or a courtship. She also examines the courtly love tradition, the influence and status of Chaucer, the psychology of the king and the tangled history of the English Reformation. Readers of Hilary Mantel’s two novels about Thomas Cromwell will enjoy seeing him in a different context (and—spoiler alert—will learn his fate). Shulman also reveals her own considerable lyrical chops: On Anne Boleyn: “With her wit, her dazzle, her ludic, punning Burgundian manners, she melted into his [Henry’s] dream of Albion.”
A gracefully written, thoroughly researched story of an agile and articulate survivor.Pub Date: Feb. 5, 2013
ISBN: 978-1-58642-207-3
Page Count: 368
Publisher: Steerforth
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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