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ONE OF OUR KIND

A bracing tale of the perils of groupthink and willful ignorance.

A wealthy Black enclave isn’t what it seems in this psychological thriller.

Jasmyn Williams, the protagonist of Yoon’s fourth novel (and first for adults), has just moved with her husband, Kingston, and 6-year-old son, Kamau, to Liberty, a community of McMansions in suburban Los Angeles launched by a billionaire entrepreneur and tailored to affluent Black people. Jasmyn, who’s pregnant, wants Liberty to be a stable perch from which to support the community beyond its gates—she’s a public defender working with underprivileged clients, and Kingston is a venture capitalist who mentors at-risk youth. But most of Jasmyn’s fellow Liberty-ites are oddly skittish about activism or even discussing the case of a 4-year-old Black girl shot by a white police officer. Even Kingston, whose brother died at the hands of a white cop, is standoffish, retreating to Liberty’s “wellness center” for bespoke spa treatments. Increasingly, Jasmyn feels like an outsider, both because of her pregnancy and statements that increasingly get her deemed “blacker than thou”—who is she to judge a friend’s decision to relax her hair or pass on joining a Black Lives Matter chapter? Though Yoon’s story relates to current conversations around race, its tropes hark back to 1970s pod-people horror, particularly Ira Levin novels like Rosemary’s Baby and The Stepford Wives. (Those tropes were themselves reworked in films like Get Out.) It’s clear early on that this “Black utopia” is not what it seems, but Yoon is skilled at sustaining the tension throughout Jasmyn’s investigations, exposing the ways that Black communities are undermined both internally and externally. It’s an artful page-turning thriller, but constantly mindful that decisions about community and identity can put lives at stake.

A bracing tale of the perils of groupthink and willful ignorance.

Pub Date: June 11, 2024

ISBN: 9780593470671

Page Count: 272

Publisher: Knopf

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE HOUSE ACROSS THE LAKE

A weird, wild ride.

Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.

Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.

A weird, wild ride.

Pub Date: June 21, 2022

ISBN: 978-0-593-18319-9

Page Count: 368

Publisher: Dutton

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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