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COMING OF AGE IN THE CHELSEA HOTEL

An engaging story with a big heart, written by a young adult whose sharply tuned and often witty observations will appeal to...

First-time author Rips, a high school senior who lives with her parents in New York’s legendary Chelsea Hotel, reflects on her earlier years attending public schools in the city and befriending the many eccentric residents at the hotel.

In this delightful coming-of-age memoir, the author draws a portrait of her younger self as the ultimate outsider. Lacking traditional good looks, physically and often socially awkward, she was eager to make friends, yet her frequent attempts to fit in typically led to embarrassing results, her desire to be popular spiraling further away. In contrast to her challenging school life, she found it easy to connect with her neighbors. She has been accepting of their eccentricities and attuned to some of their own struggles: “our home was in the Chelsea Hotel, known for its writers, artists, and musicians, but also for its drug addicts, alcoholics, and eccentrics. At any given time, at least one from each group was in the lobby. Since there were few children in the hotel, it was with these people that I spent my time.” Her story progresses through a series of comedic episodes at school or within her home/hotel setting, and she vividly depicts each of the various characters she has encountered along the way. She writes about the many self-absorbed, narcissistic teachers and classmates (along with their obsessively hovering parents), while her neighbors come across as free-spirited and openly caring individuals—as do her parents, who can also be somewhat scatterbrained: “They were like balloons that had escaped a child’s grasp—pointlessly floating.” Rips is a gifted writer who quickly reveals a mature, nuanced insight into human behavior. She has a genuine talent for extracting comic potential within these encounters, yet she balances them with moments of surprising poignancy.

An engaging story with a big heart, written by a young adult whose sharply tuned and often witty observations will appeal to adults and teens alike.

Pub Date: July 12, 2016

ISBN: 978-1-5011-3298-8

Page Count: 256

Publisher: Scribner

Review Posted Online: April 18, 2016

Kirkus Reviews Issue: May 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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