by Nigel Simeone ‧ RELEASE DATE: May 1, 2000
Style notwithstanding, any visitor to Paris with an interest in music will find this guide indispensable.
An interesting and useful guide, written in a competent, but dry style.
By the reign of Louis-Phillipe, Paris was Europe's cultural capital and, like Vienna, attracted many of the greatest musicians and composers of the era. While much has been written of the musical scene in Vienna at the time, much less has been written about Paris, and Simeone, a lecturer in the Department of Music at the University of Wales, attempts to fill the gap with a well researched and comprehensive Baedeker of the city's musical scene. It includes biographies of the major composers who made Paris their home, the addresses, locations of their graves (if in Paris), and listings of all important musical locales, arranged by arrondissement and street, along with the nearest Métro stops. Also found are four walking tours and copious photographs, contemporary and historic. Simeone gives us small details that add pleasure and interest (e.g., composer Marcel Dupré, organist at Saint-Sulpice for 65 years, was also the organist at the wedding of the Duke of Windsor and Wallis Simpson). Of Joseph Canteloube, arranger of the celebrated Chants d'Auvergne, Simeone writes, `During the early 1920s he made several pioneering music broadcasts for French radio. . . . The first of these [on Scarlatti] was broadcast on 28 January 1924 under difficult circumstances: rain was leaking through the studio roof, and an assistant had to hold an umbrella over Canteloube as he played.` Simeone is a genuine scholar of both music and Paris and he has thoroughly researched both subjects. Just the same, our pleasure would be enhanced if Simeone had been able to write in a livelier style. While his writing is clear and factual, it seldom rises above the expository. Rife with information, it is a pity that a book on such a rich topic should be written in the arid manner of a college textbook on macroeconomics.
Style notwithstanding, any visitor to Paris with an interest in music will find this guide indispensable.Pub Date: May 1, 2000
ISBN: 0-300-08053-0
Page Count: 315
Publisher: Yale Univ.
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2000
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by Leonard Bernstein edited by Nigel Simeone
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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