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PARIS

Name: PARIS
Author: Nigel Simeone
ISBN: 0-300-08053-0

A MUSICAL GAZETTEER

by Nigel Simeone ‧ RELEASE DATE: May 1, 2000

Style notwithstanding, any visitor to Paris with an interest in music will find this guide indispensable.

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An interesting and useful guide, written in a competent, but dry style.

By the reign of Louis-Phillipe, Paris was Europe's cultural capital and, like Vienna, attracted many of the greatest musicians and composers of the era. While much has been written of the musical scene in Vienna at the time, much less has been written about Paris, and Simeone, a lecturer in the Department of Music at the University of Wales, attempts to fill the gap with a well researched and comprehensive Baedeker of the city's musical scene. It includes biographies of the major composers who made Paris their home, the addresses, locations of their graves (if in Paris), and listings of all important musical locales, arranged by arrondissement and street, along with the nearest Métro stops. Also found are four walking tours and copious photographs, contemporary and historic. Simeone gives us small details that add pleasure and interest (e.g., composer Marcel Dupré, organist at Saint-Sulpice for 65 years, was also the organist at the wedding of the Duke of Windsor and Wallis Simpson). Of Joseph Canteloube, arranger of the celebrated Chants d'Auvergne, Simeone writes, `During the early 1920s he made several pioneering music broadcasts for French radio. . . . The first of these [on Scarlatti] was broadcast on 28 January 1924 under difficult circumstances: rain was leaking through the studio roof, and an assistant had to hold an umbrella over Canteloube as he played.` Simeone is a genuine scholar of both music and Paris and he has thoroughly researched both subjects. Just the same, our pleasure would be enhanced if Simeone had been able to write in a livelier style. While his writing is clear and factual, it seldom rises above the expository. Rife with information, it is a pity that a book on such a rich topic should be written in the arid manner of a college textbook on macroeconomics.

Style notwithstanding, any visitor to Paris with an interest in music will find this guide indispensable.

Pub Date: May 1, 2000

ISBN: 0-300-08053-0

Page Count: 315

Publisher: Yale Univ.

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2000

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE LEONARD BERNSTEIN LETTERS
by Leonard Bernstein edited by Nigel Simeone

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.