BRAVO, ZAN ANGELO!

Young Angelo’s attempts to join his grandfather’s commedia dell’arte troupe serve as a delightful introduction to this Italian Renaissance form of clowning. Angelo’s grandfather, Zan Polo, has become a grumpy old man, and his troupe’s lagging popularity doesn’t make him very receptive to his grandson’s pesterings to join the show. Finally he agrees that Angelo can have a bit part offstage, as a rooster. Angelo has higher aspirations; through bartering and cajoling he’s able to piece together a rag-tag rooster costume. When the performance begins, the rooster steals the show, poking his head out between the curtains, and tricking the tricksters. The audience falls in love with the little red rooster, and Zan Polo realizes his grandson provides the energy the aging troupe needs. Daly (Why the Sun and the Moon Live in the Sky, 1995, etc.) skillfully commandeers both story and illustrations. From the reflective pastel light of Venice, to the expressive gestures of the performers, his talented brushwork will make readers appreciate not only the troupe, but also their creator. (Picture book. 6-10)

Pub Date: Sept. 1, 1998

ISBN: 0-374-30953-1

Page Count: 36

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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TEA WITH MILK

In describing how his parents met, Say continues to explore the ways that differing cultures can harmonize; raised near San Francisco and known as May everywhere except at home, where she is Masako, the child who will grow up to be Say’s mother becomes a misfit when her family moves back to Japan. Rebelling against attempts to force her into the mold of a traditional Japanese woman, she leaves for Osaka, finds work as a department store translator, and meets Joseph, a Chinese businessman who not only speaks English, but prefers tea with milk and sugar, and persuades her that “home isn’t a place or a building that’s ready-made or waiting for you, in America or anywhere else.” Painted with characteristic control and restraint, Say’s illustrations, largely portraits, begin with a sepia view of a sullen child in a kimono, gradually take on distinct, subdued color, and end with a formal shot of the smiling young couple in Western dress. A stately cousin to Ina R. Friedman’s How My Parents Learned To Eat (1984), also illustrated by Say. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-395-90495-1

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1999

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THE LEMONADE WAR

From the Lemonade War series , Vol. 1

Told from the point of view of two warring siblings, this could have been an engaging first chapter book. Unfortunately, the length makes it less likely to appeal to the intended audience. Jessie and Evan are usually good friends as well as sister and brother. But the news that bright Jessie will be skipping a grade to join Evan’s fourth-grade class creates tension. Evan believes himself to be less than clever; Jessie’s emotional maturity doesn’t quite measure up to her intelligence. Rivalry and misunderstandings grow as the two compete to earn the most money in the waning days of summer. The plot rolls along smoothly and readers will be able to both follow the action and feel superior to both main characters as their motivations and misconceptions are clearly displayed. Indeed, a bit more subtlety in characterization might have strengthened the book’s appeal. The final resolution is not entirely believable, but the emphasis on cooperation and understanding is clear. Earnest and potentially successful, but just misses the mark. (Fiction. 8-10)

Pub Date: April 23, 2007

ISBN: 0-618-75043-6

Page Count: 192

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2007

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