A spirited creation story from Daly (Mary Malloy and the Baby Who Wouldn't Sleep, 1993, etc.), based on an eastern Nigerian myth. In days gone by, Sun and Moon were earthly creatures—Sun a wandering sensualist, Moon a contented homebody—who lived together in a grand house. Smitten by Sea, Sun can't get enough of ``her spellbinding songs and her liquid dances,'' so he invites her to his home. Moon is miffed; Sea proves to be a homewrecker. Sun and Moon flee from the waters to the roof, and from there to the sky as their houseguest innundates the formerly happy domicile. Once aloft, Moon takes her leave of her irresponsible mate, and lives with her children the stars as far from Sun as she can get. This delightful story is outfitted in humor, a mock seriousness, and drama. The tension in the story—between Sun and Moon, and Moon and Sea—is softened by Daly's delicate watercolor illustrations, as fantastic as the images of William Blake; their sprawling activity keeps time to the text's swift pace. (Caveat: A gentle, informative author's note appears only on the jacket.) A wondrous and alluring work. (Picture book/folklore. 4+)
Pub Date: May 1, 1995
ISBN: 0-688-13331-2
Page Count: 28
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
For the 90's, a handsome, well-documented collection of stories about nine uniquely American characters. In her intelligent introduction, Osborne explains their genesis ``from various combinations of historical fact, the storytelling of ordinary people, and the imagination of professional writers'' and notes that changing times put a new light on stories deriding various groups (including women and even animals). Thus her intention is to emphasize ``gargantuan physical courage and absurd humor'' and to ``bring out the vulnerable and compassionate side'' despite the stories' ``ineradicable taint of violence.'' Osborne succeeds pretty well in her intention, piecing together stories that make fine introductions to characters like Mose and Stormalong. Her approach suits Johnny Appleseed and John Henry better than it does Davy Crockett battling a panther, but she does manage to put a new slant on Pecos Bill and his bouncing bride without undermining the story (there's no question of a wife's disobedience here; Sue wants to ride Bill's horse as a test of skill). The telling is more polished than lively—Glen Rounds's irrepressible wit (Ol' Paul, the Mighty Logger, 1949) is more fun, but these versions are perfectly acceptable. McCurdy's vigorous wood engravings, tinted with lucid color, contribute a rugged frontier flavor; lively, though a bit formal in style, they suit the text admirably. Each story is introduced by source notes; a story-by-story bibliography provides a good roundup of this popular genre. (Folklore. 6-12)
Pub Date: Oct. 1, 1991
ISBN: 0-679-80089-1
Page Count: 116
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1991
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