Lalwani’s impressive debut exhibits deep empathy for her characters’ cultural and emotional displacements.
Excruciating ordeal of a math prodigy pressured by her father to enter Oxford.
Rumi is the daughter of Shreene and Mahesh Vasi, Indian immigrants to Cardiff, Wales. Ever since her first elementary-school teacher heralded Rumi’s gift for mathematics, Mahesh, a lecturer at the University of Wales, has been grooming his child for academic stardom. After a perceived snub by the local Mensa chapter, Mahesh designs a grueling study schedule for Rumi that occupies all her free time and enhances her isolation from her “normal” peers. As she crams for her college entrance exams—while a freshman in high school—Rumi, unbeknownst to her traditionalist parents, nurses some teenage crushes and accompanying heartaches. First there’s Bridgeman, a chess-club and stamp-collecting geek, who undergoes a growth and “cool” spurt seemingly overnight. During a trip to India, a Bollywood-handsome cousin flirts with her by night then, for fear of his own parents, ignores her by day. Rumi’s enforced regime causes her to develop some compensatory tics. As a child, she shoplifts sweets. As a teenager, she devours epic quantities of cumin seeds. But mostly her interior life is a seething cauldron of hormones and humiliation. Her developing puberty is viewed with alarm by her parents, who won’t tolerate premarital friendships with boys. Nevertheless, Mahesh thrusts Rumi into the sophisticated, diverse ambience of Oxford, if only for two days a week, under the chaperonage of an Indian landlady. Her math diligence derailed by her longing for masculine attention, Rumi sneaks out of a child-prodigy convention to attend a campus party where she encounters Fareed. Their mutual infatuation screeches to a halt when Fareed learns, through the plentiful press on Rumi, that she’s only 15. But when Mahesh, whose family was devastated by Muslim violence during Partition, finds Rumi’s love notes to a Muslim, his roles as mentor and Hindu paterfamilias collide, risking the violent sundering of his own fragile hearth.
Lalwani’s impressive debut exhibits deep empathy for her characters’ cultural and emotional displacements.Pub Date: Sept. 18, 2007
ISBN: 978-1-4000-6648-3
Page Count: 288
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2007
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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