SHIMMY SHIMMY SHIMMY LIKE MY SISTER KATE

LOOKING AT THE HARLEM RENAISSANCE THROUGH POEMS

An annotated collection of poems from the Harlem Renaissance and beyond, presented by a master teacher and a terrific storyteller. Exhorting, cajoling, willing readers to listen and to hear, Giovanni (Put a Genie in a Jar, p. 447, etc.) starts each chapter with a poem or poems from an African-American writer such as Paul Laurence Dunbar, Langston Hughes, Margaret Walker, or Ishmael Reed, covering 23 poets in all. She discusses, briefly, the lives of these writers, the context of African-American history, and the structure and sense of the poems in short chapters. The book is a conversation—readers can almost hear Giovanni talking— as she anticipates questions, clarifies obscurities, and utterly beguiles with her passion and personal feelings for the writers. Much of the poetry is painful to read: Ntozake Shange on female genital mutilation; Gwendolyn Brooks on the murder of Emmett Till. There is an underlying joy, however, in tune with the music of the language. This is a fine collection whatever the need: for poetry shelves, black history collections, social consciousnessraising sessions, cultural literacy courses—or for anyone who likes the sight of words that shimmy shimmy shimmy on the page. (Poetry. 11+)

Pub Date: April 1, 1996

ISBN: 0-8050-3494-3

Page Count: 177

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1996

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Small but mighty necessary reading.

THE NEW QUEER CONSCIENCE

From the Pocket Change Collective series

A miniature manifesto for radical queer acceptance that weaves together the personal and political.

Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.

Small but mighty necessary reading. (resources) (Nonfiction. 14-18)

Pub Date: June 2, 2020

ISBN: 978-0-593-09368-9

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 29, 2020

Kirkus Reviews Issue: April 15, 2020

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A powerful reminder of a history that is all too timely today.

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THEY CALLED US ENEMY

A beautifully heart-wrenching graphic-novel adaptation of actor and activist Takei’s (Lions and Tigers and Bears, 2013, etc.) childhood experience of incarceration in a World War II camp for Japanese Americans.

Takei had not yet started school when he, his parents, and his younger siblings were forced to leave their home and report to the Santa Anita Racetrack for “processing and removal” due to President Franklin D. Roosevelt’s Executive Order 9066. The creators smoothly and cleverly embed the historical context within which Takei’s family’s story takes place, allowing readers to simultaneously experience the daily humiliations that they suffered in the camps while providing readers with a broader understanding of the federal legislation, lawsuits, and actions which led to and maintained this injustice. The heroes who fought against this and provided support to and within the Japanese American community, such as Fred Korematsu, the 442nd Regiment, Herbert Nicholson, and the ACLU’s Wayne Collins, are also highlighted, but the focus always remains on the many sacrifices that Takei’s parents made to ensure the safety and survival of their family while shielding their children from knowing the depths of the hatred they faced and danger they were in. The creators also highlight the dangerous parallels between the hate speech, stereotyping, and legislation used against Japanese Americans and the trajectory of current events. Delicate grayscale illustrations effectively convey the intense emotions and the stark living conditions.

A powerful reminder of a history that is all too timely today. (Graphic memoir. 14-adult)

Pub Date: July 16, 2019

ISBN: 978-1-60309-450-4

Page Count: 208

Publisher: Top Shelf Books

Review Posted Online: Aug. 5, 2019

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