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OFF TO SEE THE SEA

A joyous chronicle of the delight that a bath can bring—imaginative and charming.

The family from Bedtime for Sweet Creatures (2020) is back for bathtime.

The previous book’s precocious toddler laughingly hides from Mom (Dad’s reading in the living room) when it’s clear bathtime looms. The child is persuaded to the tub with the promise that “Bath time is full of magic!” Changes in the color and capitalization of the type emphasize certain elements of the story (without any clear pattern) as Mom, who narrates, uses the power of imagination to make bathtime an adventure. The water coming out of the faucet is a “WATERFALL”; “MONSTERS” (in yellow) appear on the high seas in the form of a single rubber ducky, which elicits a “squeal” (also in yellow) from the child; mother and child “CRASH [in red] against the waves” aboard a pair of toy tugboats. Zunon’s art is lovely as ever, and her use of colors heightens engagement. It’s unfortunate that, as in the prior book, readers see the mother as the more active parent. If this family returns for a third outing, here’s hoping for more balanced parental responsibilities. Regardless of this gender-normative misstep, this companion to Bedtime for Sweet Creatures is adorable. All characters are Black.

A joyous chronicle of the delight that a bath can bring—imaginative and charming. (Picture book. 2-5)

Pub Date: Jan. 1, 2021

ISBN: 978-1-4926-3829-2

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Sept. 28, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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THE BIGGEST KISS

Although a bit on the slight side, this offering is infused with a warm, light humor just right for cuddling up with a young...

This title previously published in the U.K. takes a cozy look at all kinds of kisses.

Walsh’s rhyming text is full of cutesy rhythms: “Kisses on noses, kisses on toes-es. Sudden kisses when you least supposes.” Sometimes the phrasing stumbles: “Who likes to kiss? I do! I do! Even the shy do. Why not try, too?” But toddlers and young preschoolers will probably not mind. They will be too engaged in spotting the lively penguin on each spread and too charmed by Abbot’s winsome illustrations that fittingly extend the wording in the story. Patient dogs queue up for a smooch from a frog prince, cool blue “ ’normous elephants” contrast strikingly with bright red “little tiny ants” and a bewildered monkey endures a smattering of lipstick kisses. Be the kiss small or tall, one to start or end the day, young readers are reminded that “the very best kiss… / is a kiss from you!” Perhaps no big surprise but comforting nonetheless.

Although a bit on the slight side, this offering is infused with a warm, light humor just right for cuddling up with a young tyke or sharing with a gathering for storytime.     (Picture book. 2-5)

Pub Date: Dec. 20, 2011

ISBN: 978-1-4424-2769-3

Page Count: 32

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Nov. 19, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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