One spectacular sci-fi novella dragged down by three tedious ones.
Four semi-intertwined novellas featuring genetically engineered dogs and a troubled family.
Jenna and her brother, Del, live in a future England ravaged by war and environmental disaster. The seaside town they live in, Sapphire, is dominated by illegal greyhound racing. The dogs, called “smartdogs,” are genetically modified with human DNA, facilitating a telepathic link with humans whose brains have been implanted with special chips. Jenna’s and her brother’s lives quickly unravel, though, when their niece, Maree, is kidnapped. This tautly written first novella creates a brilliantly weird world that’s utterly riveting—which makes it especially disappointing when the next one reveals that everything you’ve read was created by a woman named Christy, who lives in present-day England with her brother, Derek. Christy dreamed up that world to escape from her life after her mother abandoned their family and her brother became increasingly violent. When Derek’s girlfriend vanishes, Christie suspects the worst. This story should be fraught, but instead it’s flabby and inert, save for a stomach-turning assault that feels as if it’s only there to shock. The next novella jumps ahead 20 years and is told from the point of view of Alex, who’s acquainted with Derek’s vanished girlfriend. Christy seeks him out to determine what happened to her, but instead the narrative gets bogged down by details of Alex’s life and an unsubtle, tin-eared examination of the racism he’s experienced. The final novella returns to the first’s dystopian future, although readers will likely find it difficult to work up enthusiasm for this now doubly fictional world. Maree is now a young adult with no memory of her family. She’s able to communicate with smartdogs without a neural implant and was raised with other psychic children as part of a scientific program. When she finds out details of her past, she’s left to decide her own fate. The book ends with a baffling and extraneous appendix of short pieces drawn from both fictional universes, which read like writing exercises that were never meant to see the light of day.
One spectacular sci-fi novella dragged down by three tedious ones.Pub Date: July 19, 2016
ISBN: 978-1-907069-70-3
Page Count: 448
Publisher: Titan Books
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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