While not romantic, Wren and Tim’s relationship becomes another powerful iteration of the book’s message that “[l]ove is...
Wren’s infatuation with handsome charmer Tim takes on an unexpected emotional depth after Tim reveals that he is gay.
Their friendship blossoms as she becomes a fiercely loyal defender of his secret, while he offers her emotional support during her family’s financial struggles. The novel’s premise initially feels like a traditional trope: Two best friends transfer to a new school where romance and varying degrees of social acceptance strain their friendship. But Wren’s voice transforms the potential teen dramafest into a nuanced reflection on gaining independence through the pursuit of individual interests and demonstration of concern for the well-being of others. Wren displays an uncanny ability to say just the right thing to comfort Tim during dark moments, a skill many readers will envy. And her very public loyalty to Tim is admirable. Yet Wren is far from perfect, occasionally privately revealing she still longs for a romance with Tim or feels jealous of his relationship with a football player, though she knows these feelings are unfair. Admissions like these ensure Wren is a dynamic character, not just a literary edifying device. Thoughtful parallels between discrimination based on race and sexual orientation are also skillfully interwoven.
While not romantic, Wren and Tim’s relationship becomes another powerful iteration of the book’s message that “[l]ove is love,” and all loves deserve respect .(Fiction. 12-18)Pub Date: Sept. 2, 2014
ISBN: 978-1-4424-8056-8
Page Count: 288
Publisher: Atheneum
Review Posted Online: June 29, 2014
Kirkus Reviews Issue: July 15, 2014
Very, very good.
A bipolar teen pushes her washed-up magician father toward one last redemptive deception.
Ten years ago, Ellie Dante’s father ruined his career when he flubbed a trick called the Truck Drop on national TV. Not long after, Ellie’s mother died by suicide. Ellie and her dad fled to Fort Wayne, Indiana, eking out a living performing magic at birthday parties and weddings. But bookings have dwindled and they can’t make lot rent for their RV or afford the medications for Ellie’s bipolar disorder or her dad’s heart condition. They’ve resorted to using their sleight-of-hand talents to commit petty theft when Ellie gets the offer that might save them: Re-create the Truck Drop, live from Hollywood, for a pile of cash. Ellie has to figure out how to get them across the country, prise the necessary props out of a reclusive millionaire’s hands, persuade her father to overcome his demons, and pull off the trick, all the while battling the mounting effects of her lack of medication. Ellie is a talented magician herself but is afraid of the effect performing has on her brain, and the trip itself takes a toll. Garvin’s (Symptoms of Being Human, 2016) portrayal of Ellie’s bipolar experience is exceptional; the world of magic is also superbly rendered. The story lags a bit in the middle, but its strengths more than make up for its shortcomings. All main characters are white.
Very, very good. (author’s note, resources) (Fiction. 12-18)Pub Date: April 14, 2020
ISBN: 978-0-06-238289-4
Page Count: 400
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Jan. 18, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
Aza would claim that opinions about this book are unfairly influenced by “the gut-brain informational cycle,” which makes it...
Nerdfighter Green’s latest takes readers through Indianapolis and the human biome.
Aza Holmes doesn’t feel like herself. But “if half the cells inside of you are not you, doesn’t that challenge the whole notion of me as a singular pronoun…?” When a local billionaire—and the father of her childhood friend, a white boy named Davis—disappears, Aza (who seems to be white) and her BFF, Daisy Ramirez (who is cued as Latina), plot to find him and claim the reward, amid rumors of corruption and an underexplored side plot about semi-immortal reptiles. The story revolves around anxious Aza’s dissociation from her body and life. Daisy chatters about Star Wars fan fiction (and calls Aza “Holmesy” ad nauseam), and Davis monologues about astronomy, while Aza obsesses over infection, the ever present, self-inflicted wound on her finger, and whether she’s “just a deeply flawed line of reasoning.” The thin but neatly constructed plot feels a bit like an excuse for Green to flex his philosophical muscles; teenagers questioning the mysteries of consciousness can identify with Aza, while others might wish that something—anything—really happens. The exploration of Aza’s life-threatening compulsions will resonate deeply with some, titillate others, and possibly trigger those in between.
Aza would claim that opinions about this book are unfairly influenced by “the gut-brain informational cycle,” which makes it hard to say what anyone else will think—but this is the new John Green; people will read this, or not, regardless of someone else’s gut flora. (Fiction. 14-18)Pub Date: Oct. 10, 2017
ISBN: 978-0-525-55536-0
Page Count: 304
Publisher: Dutton
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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