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PARADISE LODGE

Another deft helping of absurd social comedy and unconventional wisdom from a writer of singular, decidedly English gifts.

An English teenager with a rackety home life finds part-time work in a local retirement home and encounters old people, eccentricity, gossip, and death.

Lizzie Vogel was 10 when she narrated the first tragicomic installment of life with her family in Stibbe’s fiction debut (Man at the Helm, 2015); now it's 1977, and she's 15 and no longer needs to search for a partner for her fragile mother or a substitute father for herself and her siblings. These days, home includes tolerant Mr. Holt and a new baby, and Lizzie can concentrate on other distractions: school, friends, better shampoo, and—after taking a job as “auxiliary nurse” at Paradise Lodge, a home for the elderly—bodily functions and mortality. On her very first day of work (“boring, slightly exciting and briefly horrible”), Lizzie glimpses a corpse in the morgue (“I’d seen a dead man’s toe”) and will later experience the demises of several more patients. (Elvis, Marc Bolan, and Maria Callas also meet their ends in this volume.) Meanwhile, her role at the Lodge includes assisting the elderly clients, helping them (frequently) to the bathroom, and weathering the peculiar comings and goings of patients and staff alike. Stibbe’s deadpan first-person delivery once again balances quirky charm with beady insight while this new chapter in Lizzie’s life introduces a larger community of characters. As in the earlier book, the plot is episodic, charting upsets in the lives of the kindly and the kooky, underpinned by Lizzie’s search for some kind of momentum and meaning. Looser and less unified than the first book until near the end, the novel closes on a celebratory note, knitting multiple loose ends together and propelling frequent-truant Lizzie back to school to fulfill her potential as “an intellect-ual.”

Another deft helping of absurd social comedy and unconventional wisdom from a writer of singular, decidedly English gifts.

Pub Date: July 12, 2016

ISBN: 978-0-316-30931-8

Page Count: 288

Publisher: Little, Brown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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