An entertaining, if sometimes bewildering, action tale that moves at a steady clip.
In this second installment of a thriller series, an American black-ops agency vows to rescue children from human traffickers.
Norma Veurr, co-director of the black-ops group Atropos, thwarts a hit against her son, Alexander. Later, she and two other Atropos members face armed assailants in Washington, D.C., where the organization is headquartered. To protect bystanders, Norma and the others willingly go with their attackers, who subsequently hold them captive and torture them. Though Norma survives the ordeal, someone close to her dies. As she plots retaliation against the individual behind the attack on Atropos, a waitress named Elizabeth needs the team’s help. Her 4-year-old son, Charlie, is missing, and it’s soon clear that child traffickers have taken him. As it happens, the same terrorist cell that’s been trying to take out the black-ops group has ties to the culprits. Norma and her team, including Alexander, track the bad guys to Iraq and other countries. They keep their eyes out for Charlie while saving numerous abducted kids along the way. Meanwhile, Alexander struggles with telling his mother that he’s in love with a civilian, a relationship to which both Atropos and Norma may object. Lujan’s hard-hitting story features a fair amount of violence. For example, the villains’ torture of Atropos members is particularly ferocious, though Norma and her team are no less brutal when they’re questioning terrorists. Concurrently, there are quieter, deeper moments with certain characters, from Alexander’s secret romance to Norma’s abusive childhood paralleling the trafficking victims. The hunt for terrorists as well as the search for Charlie sparks an unwavering narrative pace. Nevertheless, though Norma’s physical prowess makes for exhilarating combat scenes, descriptions of the action are occasionally baffling. In several instances, armed individuals inexplicably don’t fire, or they engage in fisticuffs rather than using their guns.
An entertaining, if sometimes bewildering, action tale that moves at a steady clip. (author's note)Pub Date: N/A
ISBN: N/A
Page Count: 171
Publisher: Manuscript
Review Posted Online: Sept. 17, 2020
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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