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THE LAST JEW

A sugar-coated history lesson for the cabana at the beach.

Having completed the Cole family trilogy (Matters of Choice, 1996, etc.), Gordon returns to the more familiar territory of Jewish history for his latest period novel.

The author plows relatively untouched ground here. His tale concerns the Sephardic Jews, who were expelled from their homelands on Iberian Peninsula in 1492 but have received short shrift ever since from history and literature, both of which have been dominated by the Ashkenazi Jews of Germany and Eastern Europe. Yiddish has more literary cachet than Ladino (the Sephardim's Judeo-Spanish language), and the sufferings of Jews at the hands of the Inquisition have received less attention than the pogroms in 19th-century Russia. So it's a welcome change to find a Jewish historical novel focused on the wanderings and bitter internal exile of a man separated from his family at the Expulsion and left behind in a now Jew-free Spain. The story of Yonah Toledano, the title character, begins with a mystery: who killed Yonah's older brother and stole the reliquary their father had crafted for the local priory? It soon becomes clear, however, that this will not be a Jewish version of Name of the Rose. Rather, Gordon is making a game but stolid effort to re-create the Spanish picaresque, substituting the Inquisition and anti-Jewish violence for the more mundane obstacles traditionally faced by the genre's peripatetic heroes. As is the norm for historical fiction of this sort, the hero is impossibly noble, and love is repeatedly thwarted but ultimately triumphs. Regrettably, the novel is utterly devoid of humor, and its plodding, dull, pseudo-archaic prose paralyzes the action. Rather than a bawdy romp in the picaresque style, this is a throwback to epic potboilers like Anthony Adverse and the other bestsellers of the 1930s: well-intentioned and too well-mannered.

A sugar-coated history lesson for the cabana at the beach.

Pub Date: Aug. 1, 2000

ISBN: 0-312-26504-2

Page Count: 352

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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PRACTICAL MAGIC

Part of Hoffman's great talent is her wonderful ability to sift some magic into unlikely places, such as a latter-day Levittown (Seventh Heaven, 1990) or a community of divorcÇes in Florida (Turtle Moon, 1992). But in her 11th novel, a tale of love and life in New England, it feels as if the lid flew off the jar of magic—it blinds you with fairy dust. Sally and Gillian Owens are orphaned sisters, only 13 months apart, but such opposites in appearance and temperament that they're dubbed ``Day and Night'' by the two old aunts who are raising them. Sally is steady, Gillian is jittery, and each is wary, in her own way, about the frightening pull of love. They've seen the evidence for themselves in the besotted behavior of the women who call on the two aunts for charms and potions to help them with their love lives. The aunts grow herbs, make mysterious brews, and have a houseful of—what else?—black cats. The two girls grow up to flee (in opposite directions) from the aunts, the house, and the Massachusetts town where they've long been shunned by their superstitious schoolmates. What they can't escape is magic, which follows them, sometimes in a particularly malevolent form. And, ultimately, no matter how hard they dodge it, they have to recognize that love always catches up with you. As always, Hoffman's writing has plenty of power. Her best sentences are like incantations—they won't let you get away. But it's just too hard to believe the magic here, maybe because it's not so much practical magic as it is predictable magic, with its crones and bubbling cauldrons and hearts of animals pierced with pins. Sally and Gillian are appealing characters, but, finally, their story seems as murky as one of the aunts' potions—and just as hard to swallow. Too much hocus-pocus, not enough focus. (Book-of-the-Month Club selection)

Pub Date: June 14, 1995

ISBN: 0-399-14055-7

Page Count: 256

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1995

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