A tribute so pleasant and persuasive that swarming tourists may make it difficult for Fitch and Tulka to find a table.
Two devoted patrons of the celebrated spot that has served coffee and booze to Hemingway, Picasso and numerous other notables display their enduring affection in words and drawings.
Fitch (Appetite for Life: The Biography of Julia Child, 1997, etc.) joins forces with illustrator and editorial cartoonist Tulka to fashion a charming love-letter to their favorite hangout: Café Le Sélect in Paris. The format and text are as unpretentious as a paper napkin, and readers’ responses will range from sighs of nostalgia (aw, they no longer roast their own beans!) to gasps of surprise (poet Hart Crane once started a brawl there) to smiles—maybe even laughs—at the myriad illustrations, many of which consume an entire page. Among the standouts: Hart Crane pictured with a leering sailor in the near background; 18 varieties of French noses; a youthful Bill Murray looking frisky; a well-coiffed Hemingway, writing implement in hand; Isadora Duncan reading a newspaper about the Sacco and Vanzetti case. But this is not just a gallery of celebrities. Tulka also provides full-page drawings of each waiter and many genial caricatures of today’s regulars. Meanwhile, Fitch swiftly sketches Le Sélect’s history. It opened in 1925, is mentioned in The Sun Also Rises, has been run by the same family since 1978. The authors believe the café has endured because of its history, its location (close to the Metro), its determination to avoid commercialization (it sells no T-shirts or refrigerator magnets) and its devotion to service. The owners and employees treat the regulars well, allowing them to sit and sip as long as they want. The authors also offer the history of coffee and cafés, a few of Le Sélect’s top recipes and a description of the its routines and rituals.
A tribute so pleasant and persuasive that swarming tourists may make it difficult for Fitch and Tulka to find a table.Pub Date: Dec. 1, 2007
ISBN: 978-1-933368-85-6
Page Count: 128
Publisher: Soft Skull Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2007
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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