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ANAIS

THE EROTIC LIFE OF ANAÏS NIN

Fitch (Sylvia Beach and the Lost Generation, 1983) draws on Anaãs Nin's voluminous self-revelations (150 volumes of diaries, correspondence, and fiction) to produce what the publisher says is the first biography of the French writer—and what turns out to be a wary and defensive work, the very antithesis of Nin's free spirit. Abandoned and deprived in childhood, Nin enjoyed an enduring marriage (for over 50 years) to Hugo Guiler—as well as a series of affairs with Henry Miller, Otto Rank, Gore Vidal, Edmund Wilson, even her own father (who had seduced her in childhood): with men and women of all kinds, culminating in a bigamous marriage to Rupert Cole that had her commuting between New York and California for at least 25 years. Nin dissected her own protean personality in endless psychoanalysis—to her both a religion and a hobby—and delighted in the deceptions, incarnations, and masquerades that she revealed in her diaries in a fascinating display of a personality constantly reinventing itself. In her lifetime, she inspired parodies, films, scholarly newsletters, dissertations, even a perfume, and served as a catalyst between Hollywood, academia, and the feminists, who competed for her attention even though she reviled much of what they represented, choosing to spend most of her life as a sex object. Here, in a work that focuses on her sex life, Nin comes off—perhaps unintentionally—as trivial and culturally insignificant. Fitch overinterprets at the beginning of her text and is excessively factual toward the end, seeming to have either abandoned her method or simply lost interest in her subject. In spite of her use of the present tense and some vulgar familiarities (``Every spring her sap begins to rise''; ``Desire makes her body ache''), the author seems uncomfortable with Nin. No substitute for Nin on herself. (Sixteen pages of b&w photographs—not seen)

Pub Date: Sept. 29, 1993

ISBN: 0-316-28428-9

Page Count: 528

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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