In prose that ambulates between stark, hallucinatory, fuddled, and chewy according to the guiding character’s point of view,...
In Reid’s debut novel, a family must navigate the secret currents of guilt, obsession, loss, and—most dangerous of all—hope in this pitch-perfect examination of two Southern seasons in 1982.
Enid, Vivvy, Francie, and Tate are a nuclear family in the most traditional sense of the word. Tate, self-indulgent and perpetually flummoxed, is a professor of philosophy at the nearby college. Francie’s mania for precision has found its expression in the micromanagement of her household and her daughters’ lives while the two girls, poised on the brink of developing into women, range the lush, brambly suburbia of their childhood with the freedom of a bygone age. However, jutting from the placid surface of their domestic routines, the jagged topography of the family’s past threatens to overwhelm both their present and their future. Set seven years after the accidental death of their oldest child, Shelly, the present day of this fever-bright novel of desire and withholding sees Tate and Francie estranged and Francie in the middle of an anorexic episode wherein she has reduced herself to a list of her articulate bones and her “spinning gold ring.” Enid, who takes after her father, deals with the stress of her home life by hoarding food, retreating into vividly sensory fugue states wherein she overeats to the point of illness. Vivvy, more like her mother, denies herself and channels her rage, fear, and longing into violence against her surroundings, her sister, herself. As the novel spins toward its climax, Reid intensifies each of the elusive, flickering perceptions of her characters in turn, creating a story that proceeds through a montage of tactile sensory indulgence.
In prose that ambulates between stark, hallucinatory, fuddled, and chewy according to the guiding character’s point of view, Reid masterfully denies her novel the impulse to solve its characters’ problems, leaving the reader with the brutal task of lingering within their experience.Pub Date: July 18, 2017
ISBN: 978-1-941040-66-9
Page Count: 312
Publisher: Tin House
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
BOOK REVIEW
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
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