More like a string of humor-columns than a novel, then, with hit-or-miss punchlines--but sure to please Ephron fans and some...
Wife Discovers Husband's Infidelity, Must Decide What To Do: that's the routine sliver of plot here.
Wife Discovers Husband's Infidelity, Must Decide What To Do: that's the routine sliver of plot here. But essentially this slender first novel is just a framework for an Ephronesque series of stand-up-comic routines, journalistic one-liners, and movie-farce-style vignettes--an occasionally funny but edgily unsatisfying tsimmes. The wisecracking narrator is cookbook-writer/TV-celebrity Rachel Samstat, who one day realizes that her Washington-columnist husband Mark Feldman, the ultimate "Jewish prince," is having an affair with Thelma Rice, giant wife of a blitheringly neurotic Undersecretary of State. Mark confesses--but doesn't offer to give Thelma up. Spurred on by celebrity-shrink Vera ("every so often she has to fly off to co-host Merv Griffin"), pregnant Rachel storms off to her beloved N.Y.C. with tot Sam while reviewing her marriages (#1 was "a low-grade lunatic who kept hamsters"). She rejoins her therapy group--which gets robbed. She flies back to D.C. when Mark seems interested in a reconciliation. But finally, after giving birth, Rachel tells Mark off, throws a pie in his face, and instantly winds up in the arms of an adorable New Yorker for an upbeat fadeout. Throughout, Ephron fails to find the right balance between satire and soap--reaching for laughs (and canceling out empathy) with outlandish cartoon shriek, then lurching for the heart-strings with Rachel's crying-behind-the-jokes sentimentality. ("Because if I tell the story, it doesn't hurt as much,") Only one moment lifts off into inspired, manic-but-believable comedy: Rachel, in a desperate/vengeful panic, spreads the rumor that Thelma has gotten a gynecological infection. (In a Vietnamese restaurant: "The toilet seat, I guess. . . although I'm not sure. Maybe from the spring rolls.") And the rest consists of Rachel's uneven musings on being Jewish, being in Washington, being Jewish in Washington, the Sixties, Phil Donahue, Lillian Hellman, the Eastern Airlines shuttle, cellulite, sex, shrinks, marriage, and cooking. Plus: lots of not-quite-funny aphorisms ("Show me a woman who cries when the trees lose their leaves in winter and I'll show you a real asshole"); tired send-ups of Women's Lib; and many, many recipes. (My Search for Warren Harding, p. 206, also was big on recipes: is this the new trend in cute-fiction substitutes for content?) More like a string of humor-columns than a novel, then, with hit-or-miss punchlines--but sure to please Ephron fans and some of Gall Parent's too.
More like a string of humor-columns than a novel, then, with hit-or-miss punchlines--but sure to please Ephron fans and some of Gall Parent's too.Pub Date: May 4, 1983
ISBN: N/A
Page Count: -
Publisher: Vintage
Review Posted Online: March 21, 2023
Kirkus Reviews Issue: May 1, 1983
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Starts with a bang and closes with a knockout punch of an ending.
A violent attack hijacks a woman’s memory in this novel of domestic suspense.
McFadden wastes no time pulling the trigger in this harrowing story that starts with gunfire then swiftly propels readers into a crack tale of secrets and misdirection. Originally self-published in 2016, the book carries the same formidable weight as McFadden’s later novels featuring unsuspecting women who lose their power then fight to recapture it—mostly from men who have betrayed them. That formula perfectly fits Dr. Charlotte McKenna, a 37-year-old dermatologist who isn’t looking for love until the most handsome man she’s ever seen begins to woo her. There are warning signs about Clark Douglas and Charlotte overlooks them to her detriment—but is he a killer? The novel has dual timelines split between events leading up to the day Charlotte barely survives a head wound meant to kill her and the months afterward, when she struggles to reclaim her memory and her mobility. In real life, McFadden is a physician trained to treat brain injuries. Her expertise gives Charlotte’s rehabilitation authenticity, and her writing talent makes it interesting and engaging. As good as that timeline is, readers will yearn to get back to the alternate timeline about who wants Charlotte dead. It’s only a matter of time before Charlotte starts to remember who tried to kill her, and the clock is ticking toward their next attempt. McFadden dishes up plenty of suspects: Charlotte’s secretive husband, Clark; a former patient turned stalker who confronts Charlotte on her honeymoon; and the angry husband of a patient who blames Charlotte for his wife leaving him. Though the story is delicious and dark, McFadden brightens things up with a possible love interest for Charlotte and a surprise ending sure to please the author’s many fans.
Starts with a bang and closes with a knockout punch of an ending.Pub Date: Aug. 25, 2026
ISBN: 9781464249617
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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