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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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RIVER'S END

Though Roberts (The Reef, 1998, etc.) never writes badly, her newest mystery romance is more inconsistent than most. Little Olivia MacBride, daughter of two golden Hollywood superstars, wakes up one night to see her coked-up father holding her mother’s bloody body, a scissors in his hand. After her dad is led off to prison, Liv is sent to live with her grandparents, who run a successful lodge in the Olympic rain forest on the Washington coast—a location far across the continent from the Maryland shores of Roberts’s Quinn trilogy, but one that allows her to explore another place of life-giving scenic wonder. And when Liv grows up and becomes a naturalist/guide, she gets to take us on lots of eye-dazzling tours. Into her sheltered paradise comes Noah Brady, the son of the police detective who arrested Liv’s father and has been her friend since childhood. Noah has grown up to be a bestselling true-crime writer, and, against Liv’s will, he wants to write his next book about the MacBride murder case. (Liv’s dad, about to be released from San Quentin, is dying of brain cancer.) Though Liv fights her attraction to Noah, he’s a persistent boy, and on an extended and very sexy camping trip, the two become lovers. Meanwhile, the real murderer, whose identity will probably be obvious to most readers, leaves his own trail of violence up to Washington and a final prime-evil shoot-out. Added to Roberts’s poorly drawn mystery and her interlude of swell lusty love is her usual theme of how wounded children and inner children are healed and nurtured by good nuclear families. If the conventional wisdom is true, that romance readers never tire of reruns of the same old same old, then Roberts won’t have disappointed them.

Pub Date: March 1, 1999

ISBN: 0-399-14470-6

Page Count: 432

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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MET HER MATCH

An entertaining page-turner.

Terri Rayburn is devastated that her perfect man belongs to someone else, but once Nate Taggert realizes that Terri's the one for him, her complicated past still stands in the way of their being together.

Terri is attracted to Nate the moment she lays eyes on him, and soon they fall into an easy partnership at the Virginia lake resort she runs with her father. Nate is upfront about being engaged to the mayor’s daughter, Stacy, but she’s in Europe for a few weeks, and it quickly becomes clear to Terri that Nate and Stacy aren’t a great match. However, Terri, whose mother left when she was 2, has always had a problematic relationship with the citizens of Summer Hill. Since Leslie disappeared, the town gossip has made sure everyone remembers her as a promiscuous vixen, a label which tainted Terri as she got older and made her look like a problem when, as Nate begins to understand, she was really a victim. It’s clear to everyone around them that they are falling in love, but even as Nate realizes it himself, Terri is adamant that they can’t be together. She won’t steal him from the popular Stacy because it would mean she’d never be able to live in Summer Hill, and she won’t abandon her father. Deveraux spins an intriguing and unorthodox romance, continuing her Summer Hill branch of the Taggert/Montgomery series with two characters who have some unique, interesting obstacles in their paths and navigate through them with secrets uncovered and old wounds healed. The story is well plotted, though Nate is unnecessarily oblivious sometimes and the book takes an unexpected swing into romantic suspense territory in the last quarter. The solved mystery resolves Nate and Terri’s conflict, though the villain’s motivations seem a little cartoonish.

An entertaining page-turner.

Pub Date: Sept. 17, 2019

ISBN: 978-0-7783-5124-5

Page Count: 336

Publisher: Harlequin MIRA

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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