This installment feels a bit like a rest between the trauma of The Doom and the war to come except for an explosive end...
In this sequel to Roberts' apocalyptic Year One (2017), the world settles into its new normal after The Doom. The girl who will be The One reaches her 13th birthday, makes the choice to train with her magical mentor, and steps into her many gifts, then must find allies to prepare for the war to come.
The Doom has killed billions, and the survivors have aligned themselves into different factions, with various priorities. Many have discovered magical abilities; many who don’t have them hunt those who do. Governments have failed, electricity is scarce, industrial production is practically nonexistent, so in order to survive, people must produce or scavenge food and goods. Thirteen years later, New Hope is thriving, magicks and normals banding together for protection and community. Meanwhile, Fallon Swift, raised on a remote farm with her mother, stepfather, and three younger brothers, has learned the basics of survival but knows that when she turns 13, she’s expected to leave with the mysterious Mallick and train for two years, preparing to step into her role as The One, destined to save the world. When the time comes, she goes with him into a mystical forest populated with elves and faeries, where she studies spells, trains with swords, and spars with ghostly figures in order to build her strength and abilities. On the way she finds allies of every variety, including three spirit animals who represent aspects of her powers and humanity that enhance her ability to lead. She also meets a shadowy figure in her dreams who becomes more real once she’s able to travel across spaces in a flash. She realizes he’s a son of New Hope and guesses that their destinies are tied closely together along with his twin sister’s. Change is coming, and it’s up to them to create a new, better world—or die trying. Roberts continues her apocalyptic Chronicles of The One with a mesmerizing follow-up that is bold and breathtaking. Focusing mainly on Fallon’s rise, the plot offers details and vignettes that glimpse the horror and trauma of the past 15 years and introduces the characters who presumably will frame the future.
This installment feels a bit like a rest between the trauma of The Doom and the war to come except for an explosive end battle; however, meeting the next generation and watching the heroine grow into her powers and leadership is enthralling.Pub Date: Dec. 4, 2018
ISBN: 978-1-250-12299-5
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Sept. 17, 2018
Kirkus Reviews Issue: Oct. 1, 2018
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
Fans of smart horror will sink their teeth into this one.
Things are about to get bloody for a group of Charleston housewives.
In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.
Fans of smart horror will sink their teeth into this one.Pub Date: April 7, 2020
ISBN: 978-1-68369-143-3
Page Count: 400
Publisher: Quirk Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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