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SANCTUARY

Roberts is the perfect perpetual-romance machine. She churns out an almost inhuman number each year; she meets an annual March deadline for her hardcovers (this one even has the same number of pages as last year's bestselling Montana Sky). And each is lively, sexy, and well researched. Her latest concerns three siblings (the Hathaways) who find lovers and strained relationships while a homicidal madman is threatening their safety. The three live in a beautiful white gothic on the Georgia Sea Island of Lost Desire, which they've turned into an inn. Brian, the eldest—tall, cute, and morose—runs the establishment and is chef of its five-star kitchen. (His father Sam can't understand how a man can enjoy creating a perfect meringue and still prefer women for sex.) Brian fights halfheartedly against the amorous advances of Kirby, the pretty Yankee doctor who runs the island's clinic; the two eventually end up locked in an embrace against her refrigerator door. Meanwhile, the youngest sib, Alexa Hathaway—sexy Lexy, the island princess with the gypsy hair—has failed at acting in New York and come home to waitress and throw a few tantrums. She fights halfheartedly against the honorable intentions of childhood buddy Gift Verdon, who's good with his hands and doesn't let her get away with much. Finally, there is Jo Ellen, a world-famous photographer who's returned to Desire after a nervous breakdown and is fighting a losing battle against empathic architect Nathan Delaney. Twenty years earlier, the Hathaways' mother, Annabelle, had disappeared, abandoning her family—or so it seemed. Now someone is stalking the family, having even sent Jo Ellen a picture of her mother, dead and naked. As usual, the romance is better than the weird violence. There's not much suspense here, but it's good to see that heroines are becoming gutsier and heroes better in the kitchen.

Pub Date: March 17, 1997

ISBN: 0-399-14240-1

Page Count: 448

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 1997

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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